Angela Davis to commemorate MLK Day at U-M with a speech on the threat of the prison industrial complex

Activist, educator and author Angela Davis will be in Ann Arbor on Monday, delivering a lecture titled “Impediments to the Dream: The Prison Industrial Complex and the Dream.” Davis, as I suspect many of you know, before going on to have a successful career as an academic in the History of Consciousness Department as U-C Santa Cruz, served time in prison, after a nationwide manhunt, for her role in the August 1970 attempted escape of three African American prisoners who had been charged with the retaliatory killing of a white guard at California’s Soledad Prison. (The three men, commonly referred to as the Soledad Brothers, are thought to have committed the murder after having heard that another white guard would not be investigated for the shooting deaths of three African American inmates three days earlier.) Davis, having purchased the weapons used in the daring courthouse escape, during which a judge by the name of Harold Haley was murdered, was charged with “aggravated kidnapping” and first degree murder. After serving 18 months in prison, however, she was released when an all-white jury returned the verdict of ‘not guilty.’ (Apparently, the fact that she’d purchased the guns a few days before was not, in and of itself, sufficient to establish that she had been behind the plot.) And, since her release, Davis has been an outspoken advocate for prisoner rights. The following clip comes from a piece written by Davis in 1998 titled “What is the Prison Industrial Complex? Why does it matter?.”

Imprisonment has become the response of first resort to far too many of the social problems that burden people who are ensconced in poverty. These problems often are veiled by being conveniently grouped together under the category “crime” and by the automatic attribution of criminal behavior to people of color. Homelessness, unemployment, drug addiction, mental illness, and illiteracy are only a few of the problems that disappear from public view when the human beings contending with them are relegated to cages.

Prisons thus perform a feat of magic. Or rather the people who continually vote in new prison bonds and tacitly assent to a proliferating network of prisons and jails have been tricked into believing in the magic of imprisonment. But prisons do not disappear problems, they disappear human beings. And the practice of disappearing vast numbers of people from poor, immigrant, and racially marginalized communities has literally become big business.

The seeming effortlessness of magic always conceals an enormous amount of behind-the-scenes work. When prisons disappear human beings in order to convey the illusion of solving social problems, penal infrastructures must be created to accommodate a rapidly swelling population of caged people. Goods and services must be provided to keep imprisoned populations alive. Sometimes these populations must be kept busy and at other times — particularly in repressive super-maximum prisons and in INS detention centers — they must be deprived of virtually all meaningful activity. Vast numbers of handcuffed and shackled people are moved across state borders as they are transferred from one state or federal prison to another.

All this work, which used to be the primary province of government, is now also performed by private corporations, whose links to government in the field of what is euphemistically called “corrections” resonate dangerously with the military industrial complex. The dividends that accrue from investment in the punishment industry, like those that accrue from investment in weapons production, only amount to social destruction. Taking into account the structural similarities and profitability of business-government linkages in the realms of military production and public punishment, the expanding penal system can now be characterized as a “prison industrial complex.”

Almost two million people are currently locked up in the immense network of U.S. prisons and jails. More than 70 percent of the imprisoned population are people of color. It is rarely acknowledged that the fastest growing group of prisoners are black women and that Native American prisoners are the largest group per capita. Approximately five million people — including those on probation and parole — are directly under the surveillance of the criminal justice system.

Three decades ago, the imprisoned population was approximately one-eighth its current size. While women still constitute a relatively small percentage of people behind bars, today the number of incarcerated women in California alone is almost twice what the nationwide women’s prison population was in 1970. According to Elliott Currie, “[t]he prison has become a looming presence in our society to an extent unparalleled in our history — or that of any other industrial democracy. Short of major wars, mass incarceration has been the most thoroughly implemented government social program of our time.”

To deliver up bodies destined for profitable punishment, the political economy of prisons relies on racialized assumptions of criminality — such as images of black welfare mothers reproducing criminal children — and on racist practices in arrest, conviction, and sentencing patterns. Colored bodies constitute the main human raw material in this vast experiment to disappear the major social problems of our time. Once the aura of magic is stripped away from the imprisonment solution, what is revealed is racism, class bias, and the parasitic seduction of capitalist profit. The prison industrial system materially and morally impoverishes its inhabitants and devours the social wealth needed to address the very problems that have led to spiraling numbers of prisoners.

As prisons take up more and more space on the social landscape, other government programs that have previously sought to respond to social needs — such as Temporary Assistance to Needy Families — are being squeezed out of existence. The deterioration of public education, including prioritizing discipline and security over learning in public schools located in poor communities, is directly related to the prison “solution.”

As prisons proliferate in U.S. society, private capital has become enmeshed in the punishment industry. And precisely because of their profit potential, prisons are becoming increasingly important to the U.S. economy. If the notion of punishment as a source of potentially stupendous profits is disturbing by itself, then the strategic dependence on racist structures and ideologies to render mass punishment palatable and profitable is even more troubling.

Prison privatization is the most obvious instance of capital’s current movement toward the prison industry. While government-run prisons are often in gross violation of international human rights standards, private prisons are even less accountable. In March of this year, the Corrections Corporation of America (CCA), the largest U.S. private prison company, claimed 54,944 beds in 68 facilities under contract or development in the U.S., Puerto Rico, the United Kingdom, and Australia. Following the global trend of subjecting more women to public punishment, CCA recently opened a women’s prison outside Melbourne. The company recently identified California as its “new frontier.”…

And, as we know, things have only gotten worse over the 15 years since this was written.

[note: For more on the threat posed by private prisons today, check out my recent interview with prisoner rights crusader Bob Sloan.]

Davis, who is being brought to campus by Students Organizing Against Prisons (SOAP), will be speaking from 2:00 to 4:00 PM, in the Michigan Union Ballroom. Arrangements, as I understand it, have also been made to stream video of her talk to the Union’s Pendleton Room, as well as the Hatcher Graduate Library Gallery, the Duderstadt Center Conference Room 1180, and the Detroit Center, as a great many people are expected.

Oh, and I was sent these images earlier today by a reader of this site who plans to show up at tomorrow’s lecture with the intention of further spreading our ever-evolving Pure Michigan meme.

Here’s a fun fact… The state of Michigan, for those of you who don’t already know, spends more on prisons each year than on higher education. (I suspect there are more states that do so now, but, in 2008, we were one of only five states that did.)

For a complete list of all the Martin Luther King Day related activities taking place at the University of tomorrow, click here. It looks like there’s a lot of interesting stuff going on, but I’m particularly interested in the panel on mental health and incarceration, which features our friend Natalie Holbrook.

Oh, and happy Robert E. Lee Day to all the racists in the audience.

Posted in Civil Liberties, Uncategorized | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , | 11 Comments

Ypsi/Arbor Exit Interview: Becca Keating

Becca Keating, the former Director of Development at the Ann Arbor Film Festival (AAFF), has spent the past several days driving across the country with the intention of transforming herself into an Angeleno. Following is our exit interview, conducted as she adjusted to life in a world with sunshine.

MARK: Let’s start with where you’re from, and what brought you to Ann Arbor. Based on what I can glean from Facebook, it looks like you were born in Ohio… is that correct?

BECCA: Yes, I’m from Ohio. I grew up in the Toledo area and, like so many Ohioans, I headed North to Michigan for college. After college was over, I traveled to a few different places, but ultimately ended up staying in Ann Arbor for convenience, friends, a job, and — it’s cliché — but of course there was a boy… there’s always a boy.

MARK: Most recently, you were the Director of Development at the Ann Arbor Film Festival. How did you come to have that job, and how would you describe the experience?

BECCA: I got the job through volunteering my time. I wanted to be involved with film festivals and I was really interested in the avant-garde, but didn’t really have an access point in Michigan, so the Festival made sense. Thus, I began volunteering in 2007 and, eventually, in 2009, I convinced them to hire me full-time.

My time with the Festival has been the best I have ever experienced. My co-workers, David Dinnell and Maria Feldman, are two of my most favorite people, and the AAFF board is comprised of some of Ann Arbor’s finest. I’m grateful for my time with this amazing organization – I’m truly lucky to have been involved.

MARK: And, now, you’re going to be moving to Los Angeles… Given your background at the AAFF, would I be right to assume that you’re going to, in some way, be working in the film industry?

BECCA: Ha, that would make sense, but no, I’m not working in the film industry. I’ve received and accepted a job offer as the Assistant Director of Annual Giving at the Art Center College of Design in Pasadena. That being said, I’m looking forward to helping (in a volunteer capacity) with some avant-garde film organizations in L.A. I’m interested in creating more of a work/life separation while here.

MARK: Any plans to volunteer gluing flowers to floats for the Rose Parade?

BECCA: No plans as of yet, but you just never know.

MARK: I was just kidding when I asked, but wouldn’t an avant-garde float be cool? Just imagine a float with a giant dissected eyeball commemorating Un Chien Andalou… Please make this happen… I know David Lynch and others would contribute.

BECCA: I’ll see what I can do.

MARK: As for the AAFF, this has been a year of transition. After overseeing last year’s big 50th anniversary festivities, Donald Harrison stepped down as Executive Director to work on his own film projects, and, from what I understand, a decision was made to continue this season with a slightly different model. As I know you’re still working with the board, and assisting in the transition, I was wondering if you could give us a sense of how things will be different during the 51st annual AAFF, which starts in about 12 weeks. What do people have to look forward to?

BECCA: TONS! The 51st Festival will be the fourth that Program Director David Dinnell has programmed, so the changes with Donald leaving have more to do with organizational behind-the-scenes stuff, and the public face of the festival, and much less with the programming. All of that is to say you’re going to see a lot of really great films over the six days.

Opening Night is always magical, everyone comes out for the party and the films, and it’s a true signifier of spring for the community, in my opinion. Marcin Gizycki, a juror for the 51st AAFF, will present two programs of rare of Polish Animation from the 1950s to present day; these programs are NOT to be missed especially because one of them will be FREE. Kevin Jerome Everson and Laida Lertxundi will each also present a free program of their respective films as part of their juror screenings – they were both featured in the 2012 Whitney Biennial, and Everson just received the Alpert award… nobigdealoranything. Ken Burns returns to Ann Arbor for this year’s festival, presenting his new feature documentary The Central Park Five, and partaking in a panel discussion following the film. Long time filmmaker and artist Pat O’Neill returns to the AAFF for a two program partial retrospective, and animator Suzan Pitt will be in attendance for a retrospective of her films as well.

MARK: As I’m sure you know, Governor Snyder, just a few days after Christmas, signed a package of bills which will make it increasingly difficult for women to access reproductive health care in Michigan. I’m curious, as a young woman, if things like this make it easier for you to leave the state.

BECCA: Young woman, that sounds so nice! Thanks, Mark. Women’s reproductive health rights are about the only thing that makes me get on the proverbial soapbox. The fact that it’s 2013 and we’re still dealing with issues such as these in the state of Michigan astonishes me. I was deeply saddened to learn of the signing of these bills, and I must be honest, I really did feel a bit of, ‘well, at least I’m out of here’. That being said, I will continue to speak out for Michigan’s women and women everywhere who are denied reproductive health rights. Michigan’s women need women and men everywhere speaking up for them to strike down this backwards legislation.

MARK: It’s been about a dozen years since I’ve lived in Los Angles, so I don’t imagine that my recommendations will be of much use, but there’s a little breakfast place in Burbank called Barron’s that I absolutely loved. The owners opened it right after WWII, and it was probably the place in Los Angeles that I felt the most at home. (It was like eating in your grandmother’s living room… And by “your grandmother,” I mean mine. I have no idea what your grandmother’s living room was like. My research into your life was not that extensive.) Their food was incredible, and they were super nice. If I’m not mistaken, among other things, they made the pies for Twin Peaks. And none of their silverware, plates and mugs matched… Damn. I just checked, and word is that Baron’s burned down in 2001. So, I guess you’re on your own. Hopefully you can find a place where you feel at home… Speaking of which, how much time have you spent in LA?… I guess that’s my nice way of asking if you know what you’re getting yourself into…

BECCA: Over the past 9 months, I’ve been coming to L.A. at least once a month, for a minimum of 3 days each visit. So about a month total, I guess. I feel good about the time I’ve spent here already. As soon as I started visiting, I knew this is where I needed to be. The people I know here are inspiring, creative beings living in paradise – I’m aiming high, but I hope I can join them. There is a vibrant contemporary arts community here, not to mention the tons of film screenings and artist talks, parks with trails, the ocean, and the desert. Did I mention the weather? It’s awesome. Yeah, you have to drive, but everywhere you live there’s something. And in fact L.A. has a great metro system that I plan to take to work most days.

MARK: What are your long-term goals?

BECCA: My long-term goals are to be happy, to have peace of mind, and to be self-aware.

MARK: Try to stay away from Scientology, OK? Unless, of course, you are a Scientologist, in which case I apologize for my comment.

BECCA: I’m not interesting enough to be a Scientologist, but I’ll do my best to stay away.

MARK: What will you miss the most about Ann Arbor?

BECCA: The people, the sense of strong community, and the ability to make a real, marked difference.

MARK: I’m not sure about this, but Linette tells me that, before you lived in Ann Arbor, you lived in Ypsilanti. I’m curious as to where you lived, and how young you were at the time… Was it a positive experience?

BECCA: Yes! I lived on Michigan Avenue and Adams in Ypsilanti from the ages of 19 to 21 (or thereabouts… the years/ages all blur together these days). That was before the Wolverine Cafe closed down. I lived above the party store next to the cafe. It was great; my “loft” was my sanctuary. I’m sorry to say, at the time I was working in Ann Arbor at Liberty Street Video, Campus Video, and Village Corner, and all of my friends lived in Ann Arbor, so I spent little time being social in Ypsi. I liked that it was my place to sneak away to when things got too stressful for me in Ann Arbor. Ypsi was great to me and I will always remember that.

MARK: Were you at Liberty Street when Laura Abraham still owned it? If so, can you tell me something awful about her? I’ve got a pretty long list of anecdotes already, but there’s always room for more… I’m thinking about a screenplay.

BECCA: Oh LAURA!! I miss her so much. Yes, Laura gave me my job, which solidified my Ann Arbor townie title as The Liberty Street Video Girl for years. Honestly, I have nothing awful to say about Laura, and I’m really wracking my brain to think of SOMETHING! Once an employee taped the eyes from the caricature of Laura that was used for her column in The Ann Arbor Paper all over Campus and Liberty Street with the text “Laura is watching” underneath. I thought that was fitting.

For real though, Laura is amazing and I hope to be like her when I grow up.

MARK: Do you have any good porn rental anecdotes… either involving Laura, or not?

BECCA: None involving Laura that I can tell as my own. However, once there was a guy who gave my co-worker and me a piece of leftover tiramisu from Gratzi as he entered the store. We thought this was fantastic! What a nice guy. Next thing we know, he’s gone to the back and returned with 6 porn films between his two palms, all stacked in a row. He hadn’t even looked at the titles – just grabbed 6 sequential films from the straight porn section for the 666 deal (6 movies for 6 days for $6.66). Upon seeing him return to the counter, I immediately spit out the bite of tiramisu that was in my mouth.

MARK: That would have been a great incentive to run with Gratzi – “Rent Six Hardcore Features, Get Tiramisu.” …So, how was the trip across the country? Did you see anything cool? Did you stop at the UFO museum in Roswell? I remember that being somewhat interesting. I also remember being a lot more impressed by the Grand Canyon than I thought that I would be.

BECCA: OMG, for real! The Grand Canyon is completely dumbfounding. I couldn’t believe what a strong reaction I had to seeing it for the first time. Seriously, I almost cried. We made it there just before sunset and watched the sun go down. All and all the trip was a total success! I even got to see a longtime Ann Arbor friend who moved to Arizona on the way. We didn’t make many stops except to see a few Route 66 landmarks and the Grand Canyon.

MARK: Any parting thoughts for the people of Michigan?

BECCA: Be good to each other and spend more time outside!

[note: The rest of our Ypsi/Arbor Exit Interviews can be found here.]

update: Speaking of the the Ann Arbor Film Festival, they just announced that they’re looking for a new Executive Director… And the 51st annual festival begins at the Michigan Theater on March 19.

Posted in Ann Arbor, Michigan, Special Projects, Uncategorized, Ypsilanti | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | 11 Comments

Lisa Waud on her plans to expand Ann Arbor’s Pot & Box into the thriving entrepreneurial hotbed that is Detroit’s Corktown

A few days ago, Linete and I foud ourselves in Detroit, without kids, poking around Corktown. The plan was to get something warm to drink at Astro Coffee, but it looked too crowded. Linette peaked in, through one of the fogged-up windows, to see if there was space for me. (She can fit most anywhere. I, however, am not so fortunate.) Determining that there wasn’t, we started walking toward The Sugar House, thinking that maybe what the occasion called for wasn’t coffee at all, but a couple of Stagger Lees (Laphroaig Scotch, Bonal Gentiane, Cherry Heering & Vieux Carre Absinthe). Well, as we were turning to go to the bar, who should pop out of Astro and grab us than our old friend Lisa Waud, the owner of Ann Arbor’s most lovely little garden and flower shop, Pot & Box . She’d seen us peaking into Astro, and came to tell us that, despite our fears, we’d fit in. So we followed her, ordered some polenta cake, and talked entrepreneurship for the next hour. What you’re about to read is a highly-edited recreation of that conversation, which Lisa and I have been working on these past few days. I hope you enjoy it… And I hope you all put it on your calendars to go out and visit her on Valentine’s Day, when she officially unveils Pot & Box: Detroit.

MARK: So, the Pot & Box empire is expanding. The current plan, as I understand it, is to keep the location in Ann Arbor, and open one in Detroit, in what was an old gas station on Michigan Avenue. Is that right?

LISA: Heck yeah! I was initially apprehensive about talking about the plan publicly, but, if folks are interested in riding the rollercoaster with me, then step right up. I’ve been yammering on about opening a second location in Detroit for, oh, two years now? And, after a series of serendipitous events, it was time for a little less conversation and a little more action. Just like with all projects — gigantic and tiny, and everywhere in between — there’s never a tidy time to fold it in perfectly. You just pull the trigger.

MARK: I know, about a year or so ago, you were a finalist in the first annual Hatch Detroit retail competition, vying for a $50,000 grant to open a Pot & Box in the City. Unfortunately, you lost out to my friend Joe Posch, who has since used the prize money to reopen Hugh, the store from which he dispenses barware and vintage Playboys to time-traveling bachelors. When I had heard that you were in the running, I thought that it was something of a lark. I didn’t realize, as I’ve since come to find out, that you’ve wanted to open a place in Detroit for a long time. I’m curious… What’s the attraction to the City? Is it all the youthful energy in the entrepreneurial scene there, or is it something else?

LISA: Firstly, I just have to mention how catalyst-y the Hatch competition was for Pot & Box. Our brand awareness catapulted in the city, and I connected with Joe Posch through a clever alliance between two retailers who share the time-traveling bachelor demographic. Secondly, Detroit has been courting me for a while. It started with baseball games, new restaurants, and cool concerts, and then there was the befriending of small business owners, going to loft parties, recognizing people all over town. And, then, all of a sudden, I realized that I was driving over three or four times a week, and I couldn’t get anything done at coffee shops because I’d gotten to know the staff and my fellow regulars. So, yes, it’s totally the youthful energy and the entrepreneurial scene, but it’s more that that. It’s the sum of all the parts. I love driving around until i get lost, figuring out how to navigate the city. I love heated conversations with old friends (and brand-new ones) about the latest absurd or hopeful Detroit-centric plan. I love taking in old buildings, sometimes photographing them, sometimes hearing their stories, mostly making up my own. I love that my family hails from Detroit, and that I’ve made my way back, chasing ghosts.

MARK: The new shop is going to be a few blocks down Michigan Avenue from the economic development engine known as Slows. I’m curious as to why you decided to settle there… at Michigan Avenue and 17th. How extensive was your search, and what was it about this particular gas station that attracted you?

LISA: I guess it sounds odd to some people, but, as long as I’ve wanted to open a flower shop, I’ve wanted to open one in a former gas station. From the first time I pictured throwing open some rusty old doors to reveal a cooler-full of colorful flowers, I couldn’t shake it. I looked seriously at one in Ann Arbor before landing in our current digs in a former factory, but the dream and the drive never faded. I’d been scoping out old service stations in Detroit neighborhoods that I thought were cool and safe for quite a bit. I eyed 2520 Michigan Avenue a while back, but didn’t consider it viable until my friends Dave Landrum & Pete Bailey settled in across the street to open their distillery, Two James. After they landed there, it was appealing that I could help round out commerce to the west of Roosevelt Park.

MARK: Is this the place? After we ran into you the other day, we headed down the street to see if I could find what will be the home of the new Pot & Box, and this was the property that looked the most like what you described.

LISA: That’s her! Isn’t she glorious? Just LOOK at all that raw potential.

MARK: How’d you come to find out about the property, which, I believe you’ve mentioned to me, is owned by Andy Didorosi, the founder of the Detroit Bus Company?

LISA: Our common friend Liz Blondy, of Canine To Five connected me with the gas station owner shortly after the Hatch competition because she knew, though did not necessarily condone (ha!), my vision. (Canine To Five, by the way, is opening a second location this week. In addition to the location on Cass ,in Detroit, there’s now also going to be one in Ferndale. Huzzah!) The owner was indeed, Andy Didorosi, and he explained to me that he was seeking not merely a tenant, not just someone to pay the rent, but someone to fill an unknown need in the neighborhood. I thought that was a different way of going about being a landlord, and quite cool. But, being two busy entrepreneurs, we fell out of touch for a bit. It wasn’t until my dad sent me a Popular Mechanics article about Detroit that featured Andy that I revived our email thread. We met, toured the station, and started the conversation. A month later, we randomly crossed paths in San Francisco (I can’t make this stuff up, people). As it worked out, we both had a brief moment in time in our insanely busy lives, and had a chance to interview one another while enjoying another fabulous city. By the time we got back to Michigan, we had our first collaboration on the books — a Detroit Bus Company tour of Detroit for Ann Arborites that boarded at Pot & Box — and were in negotiations for Pot & Box: Detroit. So that’s how the plans for 2520 Michigan took root.

MARK: How will the new shop be different from the shop in Ann Arbor? Will your product offerings be the same, or do you think that Detroit is looking for something different?

LISA: My vision for the Detroit location is a revisitation of the original vision for the Ann Arbor shop: full-service flower shop with event floral design, garden supplies, including pots and boxes, and spectacular event space… The flower shop offerings will be the same — walk-in shopping, city-wide delivery, and event floral design — with the added bonus of drive-thru pick ups, in the true nature of a service station… After getting to know the particulars of the Ann Arbor shop, I had to choose to cut gardening supplies from our offerings due to space restrictions, and the fact that you can get everything you need up the street at Downtown Home and Garden. At the Detroit shop, we’ll be carrying a line of hand tools, small bags of soil and amendments, seasonal plants, and the like, but, again, nothing that overlaps with our lovely new neighbors at Detroit Farm and Garden. As far as the event space, this is the one thing that will get ultra-magnified. We’ll have just shy of 1,000 square feet inside, and, after three fabulous service bay doors get re-installed, we’ll have the ability to offer as much space outside as well. I’m picturing summer weddings with overflowing flower arrangements, and a billjillion candles on tables in the garden-enveloped parking lot, and it makes me really, really glow-y.

MARK: And your hope is to have something up at running by Valentine’s Day, if not inside the building itself, at least in the parking lot?

LISA: Ah, yes. The pipe dream of being functional by Valentine’s Day. Nope. I’m looking to the holiday season of 2013 as my goal to be open.

Growing up, my family built two houses from the ground-up, and remodeled constantly, which is certainly why I’m not only comfortable, but tend to thrive in sawdust-coated, half-painted transitional environments. I also know that everything takes eons longer and heaps more money than you want it to. Once I nest in the new space, it’ll be forever-ish, so I’ve dealt with this by purchasing an old ice cream truck, from which I’ll push petals out into the city. We’re taking flowers the way of the food truck — mobile!

Speaking of Valentine’s Day, the mobile flower truck, and the space… the new truck will be debuting at the pop-up Valentine’s Day market I’ve organized as a second collaboration with our landlord. Andy also owns Paper Street, a business incubator in Ferndale, which has two flash mobile trailers that will also be debuting at the market! So far, we’ve got 20+ vendors confirmed, a couple food trucks, and the buzz is building. The original idea was to merely activate the space at 2025 Michigan, and I think that will happen in spades.

MARK: I know you’ll likely push back a bit at what I’m about to say, and insist that you’ll still be an active part of Ann Arbor’s entrepreneurial scene, in spite of moving your base of operations to Detroit, but won’t this move of yours be something of a blow to the young entrepreneurial movement in Ann Arbor, which you’ve been such a force behind, not only through your own business, but through Small & Mighty, the networking group which you co-founded? (Until recently, Small & Mighty was called YEP.) I don’t mean to make you feel bad about leaving, as I think the Detroit project sounds incredible, but, at the same time, I can’t help but think that less Waud is an unfortunate side effect for Ann Arbor.

LISA: Despite my claims that I can maintain an omnipresence, I realize I will be less than 100% in both cities. But, just like my dream of a former-gas-station-turned-flowershop, I have always wanted to have an offshoot of my business that supports me personally and other entrepreneurs in a nurturing, non-networky way. Small & Mighty started just like its name, but has grown into a really important being. I’ve always been a sheepdog, herding people together, and I think the group is no exception. Between the Small & Mighty co-founders (Jean Henry, Helen Harding, and myself), I’m confident that we can host events that are meaningful enough to draw Detroiters to Ann Arbor, and vice versa.

And you never know, Mark… with the color-coded Google calendar I spoke of in our previous interview, maybe I can figure out how to be everywhere all at once.

MARK: What kind of research did you do before deciding to take this most recent leap? Or is the cost of doing business in Detroit just so low that you didn’t have to think about the risk? In other words, did you canvas the local restaurants, and wedding venues before making the decision to open a location in Detroit, in an attempt to determine whether there would be steady, recurring work, or did you just say to yourself, “I can get a place in Detroit for a few hundred bucks a month, and I’m sure that I can find a way to cover that and make a profit?”

LISA: My move into Detroit was gradual, then sudden. Like I said earlier, I just started hanging out, talking to people — mostly small business owners — about what it was like to live and work in the city. Then, one day, a bolt struck me, and I knew I actually really did want to live and work there. I remember the moment it happened: I saw Emily Linn from City Bird and she asked me if I was OK. I must have looked stunned. I told her, “I want to move to Detroit.” She stood up, hugged me, then asked what she could do to help. And, you know what? That’s pretty much how things work there.

MARK: I’m not super well acquainted with that stretch of Michigan Avenue, but, there seems to be a lot going on. In addition to Slows, and Sugar House, and Astro Coffee, there’s the Two James Distillery, and the Mercury Bar… What am I missing? What else is going on along those few blocks?

LISA: In addition to Two James Distillery, which is opening in a few months, there’s also Greening of Detroit, Xavier’s, and Izzy’s. Down on the bustling block, east of Rooselvelt Park, we can’t forget Honor & Folly, an apartment available for short-term rentals, curated by the lovely Meghan Mcewen. And on the coming-soon list: Gold Cash Gold, a second restaurant from the Slows family and something sure-to-be fabulous in the former Duncan’s Speedometer Shop — a space I also considered for Pot & Box: Detroit. Off the main stretch of Michigan, there’s also St. Cece’s, Mudgie’s Deli, Le Petite Zinc, Green Dot Stables, Detroit Farm & Garden, and Gallery 555. Go to all of them. Often.

MARK: How difficult is it to break into the Detroit entrepreneurial scene? I know you must have connections, having gone through the Hatch competition, but I’m curious as to how welcoming people are outside of that context, and how willing they are to share information, contacts, leads, tips, etc. Also, I’m curious to know if there’s any entrepreneurial infrastructure to speak of. Are there groups in Detroit like the one you started in Ann Arbor?

LISA: Like I said earlier, I’ve been hanging out in Detroit for a couple years now, just getting to know people and places. I think Hatch kicked off a heightened awareness of me, and of Pot & Box, but the due diligence of spending time in the city is what got me to feel comfortable enough to make the leap to living and working in the city. I joke that I will attend any presentation, lecture of event on any Detroit topic, no matter how distant from my profession and interests, but one notable group that was incredibly encouraging is Open City Detroit, a monthly forum for aspiring business that meets at Cliff Bell’s once a month. Founded in 2007, by Claire Nelson (formerly of Bureau of Urban Living, now publisher at Model D) and the aforementioned Liz Blondy, this group could not have been any more tailored to my entrepreneurial needs. I only hope that eventually Small & Mighty can come close to Open City’s attendance and helpfulness.

MARK: I’d be remiss if I didn’t ask how thing are going with Pot & Box Ann Arbor… And what are your plans for the future of that space? Will things continue on as usual, or should we expect to see signs of evolution?

LISA: Ah, my baby. I couldn’t be happier with the evolution thus far of Pot & Box: Ann Arbor. Our presence in the community has spread, and we’ve been busier every year, and we’re busier every day.

I don’t doubt for a second that it would have been possible without my right-hand woman, Katherine Yates, who has been with Pot & Box since before we moved into our space on Felch Street. She’s coming on full-time this spring to fill a management position as we begin our transition to becoming a two-location operation. Katherine’s hard work and enthusiasm, as well as that of Rachel Parke and all the other Pot & Box crew, that really runs the place. We’re feeling organized and inspired for 2013, and poised and ready to add Pot & Box: Detroit to our arsenal.

MARK: Damn. I’ve asked a lot of questions. Thanks for answering. Before we go, is there anything else that you’d like to say?

LISA: I am really thankful that Pot & Box has made it this far, and that we’re pushing forward to inspire and be inspired by a larger community. I never would have guessed that I would be as fulfilled discussing entrepreneurial endeavors as I am assembling an arrangement of seasonal blooms and textural foliage, but here I am… Onward!

[note: Those interested in Detroit entrepreneurship can find my past interviews with Joe Posh by clicking either here, or here.]

Posted in Ann Arbor, entrepreneurism, Local Business, Locally Owned Business, Mark's Life, Uncategorized | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | 24 Comments

More than just calling for a ban on assault weapons, Obama moves to reinstate federal research on gun violence over the NRA’s objections

The gun control debate in the United States went into overdrive today, as the President, surrounded by children who had written letters to the White House about gun violence, called on Congress “to renew a prohibition on assault weapons sales that expired in 2004, require criminal background checks on all gun purchases, including closing a loophole for gun show sales, and pass a new federal gun trafficking law – long sought by big-city mayors to keep out-of-state guns off their streets.” In addition, he referenced 23 executive actions which he intends to take immediately, which would not require the approval of Congress. These, we were told, would address a number of related issues, ranging from the improvement of the current system used for background checks, to the funding of more counselors and “resource officers” in schools. Most interestingly, at least to me, Obama promised, through executive action, to lift the ban on federal research into gun violence… Yes, apparently, several years ago, at the behest of the NRA, Congress had acted to prevent the federal government from funding research on gun violence. Here, with more on that, is a clip from the fact sheet distributed by the White House this morning.

Conduct research on the causes and prevention of gun violence, including links between video games, media images, and violence: The President is issuing a Presidential Memorandum directing the Centers for Disease Control and scientific agencies to conduct research into the causes and prevention of gun violence. It is based on legal analysis that concludes such research is not prohibited by any appropriations language. The CDC will start immediately by assessing existing strategies for preventing gun violence and identifying the most pressing research questions, with the greatest potential public health impact. And the Administration is calling on Congress to provide $10 million for the CDC to conduct further research, including investigating the relationship between video games, media images, and violence.

Better understand how and when firearms are used in violent death: To research gun violence prevention, we also need better data. When firearms are used in homicides or suicides, the National Violent Death Reporting System collects anonymous data, including the type of firearm used, whether the firearm was stored loaded or locked, and details on youth gun access. Congress should invest an additional $20 million to expand this system from the 18 states currently participating to all 50 states, helping Americans better understand how and when firearms are used in a violent death and informing future research and prevention strategies.

Now, here’s the background, from NBC News.

…From the mid-1980s to the mid-1990s, the CDC conducted original, peer-reviewed research into gun violence, including questions such as whether people who had guns in their homes gained protection from the weapons. (The answer, researchers found, was no. Homes with guns had a nearly three times greater risk of homicide and a nearly five times greater risk of suicide than those without, according to a 1993 study in the New England Journal of Medicine.)

But in 1996, the NRA, with the help of Congressional leaders, moved to suppress such information and to block future federal research into gun violence, (Dr. Mark Rosenberg, president of the Task Force for Global Health and director of the CDC’s Center for Injury Prevention and Control from 1994 to 1999) said…

One of the main researchers that the NRA was seeking to shut down was Emory’s Art Kellermann, whose research had shown, among other things, that “a gun kept in the home was 43 times more likely to be involved in the death of a member of the household than to be used in self-defense.”

The following is from NPR:

…Kellermann says the National Rifle Association and other Second Amendment advocates leaned on his then-employer, Emory University, to stop the research. That didn’t work.

So, he says, “they turned to a softer target, which was the (Centers for Disease Control and Prevention), the organization that was funding much of this work. And although gun injury prevention research was never more than a tiny percentage of the CDC’s research budget, it was enough to bring them under the fire of the NRA.”

Lawmakers — both Democrats and Republicans — held back some money from the CDC and made clear that no federal funds should be used to promote gun control.

Many researchers interpreted that message to mean no public health studies about injuries from weapons.

Then, a few years later, Congress weighed in again, in a slightly different way.

In 2003, Rep. Todd Tiahrt, a Republican from Kansas, added language to the Justice Department’s annual spending bill. It says the Bureau of Alcohol, Tobacco, Firearms and Explosives can’t release information used to trace guns involved in crime to researchers and members of the public. It also requires the FBI to destroy records on people approved to buy guns within 24 hours…

How fucking insidious is that?

It’s one thing, in my opinion, to lobby on behalf of gun owners – it’s another to actively restrict data which you know would not only undermine your claims, but show then to be pure fiction. I don’t like it, but I can accept that the NRA is attempting to put armed volunteers in our nations’s schools. I can even accept that they’re willing to appeal to the basest reptilian instincts of their supporters in the hopes of keeping the (highly profitable) status quo, as they did this morning, when they released an utterly offensive ad about Obama’s daughters. It was tasteless and disgusting, but I guess I’ve come to expect that from an organization that would put out a kids’s shooting game just days after blaming the Sandy Hook shootings on video games. What I can’t accept, though, is that these people would try to hide information, in an attempt to keep us from making informed decisions. That, to me, is beyond the pale… and I can’t believe that I hadn’t heard about it until just now.

If you’d rather we not have the information, though, you may be in luck. Word is that Rand Paul has a plan for stopping Obama from implementing these executive actions.

Speaking of this new NRA ad, which accuses Obama of being an “elitist hypocrite” for not trying to get Secret Service protection for every child in America, here it is, followed by the reaction of the panel on MSNBC’s Morning Joe.

Sadly, I think that this is just the start. Things are going to get a lot uglier, a lot more volatile, and a lot crazier.

Speaking of crazy, I have two more gun-related things to share tonight. First, Glenn Beck’s favorite historian, David Barton, whom I wrote about just yesterday, has come out advocating for the arming of school children. And, second, the Sandy Hook “truther” movement is apparently picking up steam, with more and more people ascribing to the belief that the events were orchestrated by the federal government, and that no one was actually killed. (The people we saw on television apparently weren’t really grieving parents, but “crisis actors” hired by FEMA. The whole thing, it would seem, was nothing more than a morbid government-orchestrated flash mob.) My intention was to write a post about it, but I just stumbled upon an incredible Metafilter piece which pulls together all the pieces, so I don’t have to… You should really check it out… It’s terrifying stuff.

Posted in Civil Liberties, Other | Tagged , , , , , , , , , , , , , , , , , , , , , , , | 15 Comments

4th annual Rat Fest homebrew competition brings wildly creative beer to Ypsilanti

On Saturday, January 26, between 2:00 PM and 5:00 PM, nine Michigan home brewing groups will be assembling at Ypsilanti’s Corner Brewery to share their most inspired beers, and compete for the coveted title of “King Rat.” As this will be my first time at the annual tournament, which is called Rat Fest, I decided to reach out to my friends at the Brewery and ask them a few questions. Following is my interview with Head Brewer John Ritenour, Event Manager Bari Simon, and Brewery Manager Daniel “Dannyboy” Peron.

MARK: Next Saturday, as I understand it, representatives from a bunch of Michigan home brewing clubs will be converging in Ypsi, competing for the title of King Rat. Let’s start at the beginning. How did Rat Fest come about in the first place? And, more importantly, why’s it called Rat Fest? I don’t imagine it’s a reference to vermin in the grain bin… Or, is it?

DANNYBOY: Rat Fest was named after our 10 gallon pilot brew system, the Rat Pad. The name came about after a discussion I had with home brewing mentor, and friend of the Corner Brewery, Dr. Nick. We were talking about the newly built system, and what it should be called. Knowing that I like all things ratty and unpolished, the good Dr. came up with the nick-name. The name stuck, and the “Rat Pad” was born. The very first Rat Fest was a 24 hour brewing melee resulting in 24 beers brewed! This was spearheaded by the infamous, Mike “Brewgyver” O’Brien, along with numerous supporting members of the Ann Arbors Brewers Guild and the brewers of Arbor Brewing Company and the Corner Brewery. It was a huge and exhausting success, and we vowed never to attempt the 24-hour format again.

MARK: Looking over the list of participants, which includes representatives of the Ann Arbor Brewers Guild, local businesses like the Ugly Mug, and what appear to be loosely affiliated groups of friends with roller derby-inspired names, like the Detroit Draft Divas, and the Muskrat Mashers, I’m wondering what the criteria for participation are. Was there some kind of qualifying round, or is anyone who can field a group welcome to participate?

BARI: At this point, we’re still able to accommodate groups that express an interest in participating. They don’t have to be an official club or anything, just interested in the science and creativity that is beer. This year, we’re welcome two new clubs; The Detroit Draft Divas and CraftBeerinMi to the festival. In the future, if the event continues to grow, there may be an application process, but this year we just plan on expanding into the beer garden to accommodate the growth.

MARK: Having never been to a Rat Fest event, I’m not certain of this, but my sense is that, when this whole thing started a few years ago, individual brewers were encouraged to participate. Assuming that’s correct, why was the decision made to transition to a more team-oriented event? Have you found that the quality of the beer improves with the input of more individuals, or is it just easier to manage an event with fewer participating entities?

DANNYBOY: The original event couldn’t have happened without brew club support, and we’ve continued to partner with local home brewer clubs to grow the event each year. As you mention, team participation definitely helps produce fine small batch craft beers. And, working with the clubs is also cool because many of them have their own brewing equipment, bring their own draft dispensing gear to the event, and come with stuff like brew club banners and other themed materials. But, I think it’s worth pointing out that having a team isn’t necessarily essential to creating great beer.

MARK: Looking back over the past events, what are some of your favorite beers that have been introduced to the world during Rat Fest?

DANNYBOY: Some of the most memorable have been the Shebrew Rye Caraway Ale (tastes just like rye bread), the Pear Smoked Lager (malt smoked with pear wood), and the Lady Marmalade Triple Wit Bier (brewed with orange marmalade, coriander and black pepper). And then there are the crazier ones, like the Baked Potato (potato, bacon, smoked hops, chives) and the BLT Ale (with lettuce and tomato puree).

MARK: This year, it looks as though you’ve changed the rules a bit. For Rat Fest 2013, each team has been charged with creating four distinct beers… three that have been chosen from a “a predetermined list of styles,” and one that uses a common grain and yeast. And, with that one, if I’m not mistaken, the brewers have some flexibility with regard to hops and other ingredients. Is that correct? And how does that differ from previous years?

JOHN: Since Rat Fest is all about creativity, we wanted to encourage a balance of styles, so that we didn’t end up with 20 IPA’s and 16 Imperial Stouts. So, in an effort to push the creative prowess of our participating brewers, we thought it would be fun to challenge them with a limited pantry of common ingredients, which would allow them to inspire their brews in other ways. In years prior, we’ve simply let brewers choose their own path, resulting in many great results, but we found that often groups created very similar beers. The new guidelines have helped diversify the offerings, and will hopefully ensure that attendees will get a fresh and creative perspective from each home brewer team.

MARK: I’m curious as to what’s on this “predetermined list of styles.” How many styles are we talking about? And do you know in advance which ones these various groups have chosen to work on?

BARI: Each of the clubs had access to a spreadsheet indicating 14 different style options. Each style had 2-3 slots, and everything was on a ‘first come, first served’ basis… Like John said, we wanted to assure more diversity this year.

MARK: As for the ‘same grain, same yeast’ challenge, I image you’re doing that so that you have more of a baseline, head-to-head comparison between the participants, right? What’s the grain? And what’s the yeast?

JOHN: The original idea was to keep the grain and yeast the same across the board, and allow the brewers to experiment with the hops, water, and adjuncts, which would showcase the influence that those ingredients have on the beer. It turns out there was some confusion among the groups, though, and some of them added additional grains to their brews. So, at this point, it mostly serves as a baseline for the beers, without necessarily being a showcase of the ingredients… The yeast is Safale S-04, and the grain is mix comprised of – 65% 2-Row, 13% Munich, 4% Crystal-20, 9% Crystal-65, and 9% Flaked Oats.

MARK: How is the judging going to be done? Is it all by popular vote, or is there a panel of judges? And will there be awards for each style, or is there just one winner, based upon each team’s collective body of their work?

BARI: Ticket holders will be voting this year via a smart phone app or paper ballot. Awards will be presented in the 5 following categories: Favorite group of beers, Favorite overall beer, Most original use of predetermined recipe, Best decorated group table, and Most unique beer. The coveted Beer Cheese Trophy will again be presented to the club that takes Favorite Group of Beers.

MARK: Can you describe the Beer Cheese Trophy? Is it majestic?

BARI: It is literally what it sounds like – a pint of beer with a huge piece of cheese on top. We felt it was perfect for the theme. Last year is the first year that we gave the cheese trophy as a prize, so we’re hoping it will become more majestic over the years. If anything, it’s fun and a little bit strange, in a good way.

MARK: How much are tickets, and what do people get for the ticket price?

BARI: Ticket price is $30, and includes a sampling of the 36 featured beers, a commemorative tasting glass, and light appetizers. Last year, tickets sold out in advance, but, if any are still available, people can purchase them for $35 at the door.

MARK: Do you test these beers beforehand to make sure that there’s nothing beyond the pale? I ask because, in the past year, I’ve read both about a beer that was created with yeast cultivated in the beard of its brewer, and a beer that was fermented with a severed pig’s head. While, personally, I don’t have an issue with either, I’m wondering if you anticipate ever having to draw a line, or post warnings.

JOHN: We do sample and test all beers prior to releasing them. As this is indeed a food product, we want participants to have a safe and enjoyable experience. Every recipe is scrutinized by our staff prior to the brew session, and is monitored throughout fermentation and conditioning, the same way we would with any of our production beers. We have yet to see any outlandish attempts at pushing the envelope, such as an Ypsilanti Irish Red Squirrel, a Déjà vu Dunckel, or a Michigan Avenue C’mon Inn Bedspread Stout.

MARK: What’s the most outrageously creative beer that’s ever come to your attention through the Rat Pad process?

DANNYBOY: The Chips & Salsa Lager. Yes, it had salsa in it (and Ann Arbor Tortilla Company corn!). The flavors were so accurate that we decided to brew it on a large scale. It was not as highly regarded as we’d hoped, though, so it’s no longer in production.

MARK: Is there a chance that we might ever see one of these beers come to life as a regular Corner Brewery offering?

JOHN: We use the Rat Pad to test out recipes before bringing them to the production level. A couple Rat Fest beers have made the cut, and many of our present offerings began on the Rat Pad, including Mr. Delicious and Mackinac Island Fudge Stout.

MARK: Aside from Rat Fast, how are things going at the Brewery? Is there anything new that you’re working on that folks should know about?

BARI: Our ‘green brewery’ installations have been live since this past fall, and we’ve had many interested parties connect with us looking to become greener.

DANNYBOY: Next month we’re going to start bottling on our new line, which will triple our current output of packaged beer.

JOHN: We’re in the midst of a collaboration with Brouwerij The Musketeers of Belgium, who produce beers like Troubadour Blonde, Troubadour Magma, and Troubadour Obscura. We will be releasing two beers together, one brewed in Belgium, and one brewed in Ypsilanti. Immediately following Rat Fest, some of us will be traveling to Belgium to brew, and, the following week, their crew will come to Ypsi to brew. Both beers will be available statewide in May!

Posted in Art and Culture, Food, Uncategorized, Ypsilanti | 8 Comments

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