Since when does Facebook charge a dollar to send a message?

Admittedly, I don’t follow Facebook that closely. I know that, since the company “went public” a while ago, there’s been a huge push to monetize each and every element of their now ubiquitous platform, but I was totally caught off-guard this morning when, attempting to send a note to a woman who had left a comment on this blog, I was met with the above screen, asking me to please deposit $1. Is this something that people have encountered before?

And I know that maybe this makes me sound like an old man, ranting about how, back in his day, “Water was free… damn-it,” but this really does strike me as odd. I can see why they might want to keep people from sending messages to folks who aren’t in their “friend” network, but this is like saying, “Yeah, we’ll give anyone the ability to send you messages for a buck.” That’s like an operator saying, “Sorry, sir, that’s an unlisted number… but, if you really want it, I can give it to you for a dollar.

As for the woman that I was attempting to write to, her name is Eldora M. Trimble, and she’s the daughter of Roland Maynard, the author of that book I was telling you about not too long ago about the history of my ancestors in Kentucky. Apparently she’s republished the formerly out-of-print book, and wants to sell me a copy… If all goes well, I hope to be able to tell you all about it shortly, as I know that many of you only come to this site for the super-popular Maynard genealogy updates.

Posted in History, Mark's Life, Observations, Other, Uncategorized | Tagged , , , , , , , , , , | 12 Comments

As Ysilantians set out to rewrite their City’s quarter century old Master Plan, they assess what’s working, what’s not, and their shared vision for the future

The people of Ypsilanti are currently going through the process of rewriting the City’s Master Plan. The exhaustive undertaking, which has been constructed in such a way as to incorporate the input from as many community members as possible, is already well under way, but, over the coming months, there will still be ample opportunities for folks to engage and contribute their ideas. In hopes of finding out more about the process, I reached out to Ypsilanti City Planner Teresa Gillotti, and Ypsilanti City Planner Emeritus Richard Murphy, who currently serves on the Steering Committee which has been charged with seeing the undertaking, which has been dubbed “Shape Ypsi,” through to completion. Here’s our exchange.

MARK: First, let’s start with what a Master Plan is, and why the city needs one. I think I know the answer, but I’m curious as to what you’ll say.

TERESA: The Master Plan is the guiding document for the city’s next 10-20 years. Practically, it’s something that I use frequently, as do others, to make sure that the projects we take on are in-line with the community’s vision as to where the City should be heading. The implementation tool of the Master Plan is the zoning ordinance, and that revision will follow the drafting of a new Master Plan… I think it’s important for Ypsilanti, especially now that we’ve gone through de-industrialization, and both a housing boom and bust. There are questions as to where we want go, in terms of our economy, our neighborhoods, and the transportation options available to us. In a time of diminishing resources, it’s still important to make deliberate choices, and to build on the existing physical infrastructure and our community character, which is Ypsilanti’s greatest strength. Ypsi is growing and changing, and sticking with the current plan, and the zoning requirements which were drafted to support it, limits where we can go. It’s time to rethink and redefine the City’s direction together as a community.

MARK: Are Master Plans required by law? Are there communities without them?

TERESA: The State of Michigan Planning Enabling Act requires the State’s Planning Commissions to develop and adopt a Master Plan, as well as update it every 5 years.

MARK: When did we last go through this process? Was it at all contentious? If so, why?

TERESA: The last time the process happened was in the late 1990s. (Our current plan, which was largely written in 1998, can be found here.) I don’t know the details of the process… maybe folks can discuss it in the comments section. I do know that, with most large-scale zoning changes, there is often concern as folks try to stay abreast of changes that might impact their neighborhoods, properties and commercial districts. After the Master Plan is adopted, the next stage is to move toward a major zoning ordinance revision, and a “form based code.” I expect that will also draw attention and opinions. I’m hoping for creativity and exploration, although I know sometimes it’s easy to take on a defensive posture when it comes to potential changes to one’s own property.

MARK: I’m not familiar with the phrase, “form based code.” What’s that?

MURPH: A “form based code” is a zoning ordinance that focuses most of its attention on the physical aspects of a building and site — how big is it, where is it relative to the street and sidewalk and neighboring properties, how much parking does it have — and spends less time listing the uses that are permitted or prohibited on the site. The form-based approach has gained in popularity in recent years as a way to focus regulations on the aspects of development that have the greatest impact on community character, and reducing the amount of micromanaging of what types of businesses can exist in a particular building.

MARK: Thanks, Murph. That makes more sense…. Earlier, Teresa, you mentioned that Michigan law requires that we update the Master Plan every five years. Is it safe to assume that, while we haven’t rewritten ours from scratch in some time, we have made edits to reflect changing circumstances? Assuming that’s the case, I’m curious to know what the most recent changes have been.

TERESA: In 2008, the City amended the Water Street area plan, and, in 2010, the City amended the Master Plan to include the Non-Motorized Transportation Plan. No overall update has been completed since 1998, though.

MURPH: We’ve done small amendments as individual developments came up, too — when Ave Maria closed their campus on Forest Avenue, for example, we had to amend the plan’s “future land use map” to allow anything other than an institutional use there.

MARK: How do people, if they want to engage in the process, go about doing so?

TERESA: This week, we’re in the Discover Charette phase of the process, and there are a number of events taking place. It’s essentially a week-long workshop that started with a Community Conversation on Tuesday night. (Thanks to the 50-some folks who attended!) Then, on Wednesday, and again today, we had the studio open at 206 West Michigan Avenue for people to drop in and give us their ideas and opinions as to what to preserve, change or create in the City. There were posters with questions related to our various housing and commercial areas, with the intention of getting the community to weigh in on what’s working and what’s not. And, on Friday, we’ll be reporting back what we’ve learned – showing images of what things currently look like, and sharing ideas as to where we’ll go from here. That will be at 5:00 PM, at SPARK East… Then, we do it again in April at the Design Charette. There, the planning team will have examples and sketched-out scenarios for people to respond to. We’ll have a public meeting to start it, another studio event, and other neighborhood meetings similar to what’s happening this week, wrapping up with another Friday presentation. We’ll keep the website up-to-date on the details.

MARK: Have we done what you would consider a good job of benchmarking other cities? I’m curious to know if, in the process of doing so, we’ve come up with any ideas that might be worth considering here? For instance, I didn’t read it yet, but a friend sent me an article awhile ago about an ordinance that was passed somewhere on the west coast that made it easier to construct secondary housing units on one’s property, as a way of increasing density, etc. If I’m not mistaken, the article made the case that doing so proved to be incredibly beneficial for the community in question. I’m not suggesting that we do that specifically, but I’m curious as to how broadly we’re casting our net. Is everything on the table?

TERESA: This is where our planning team comes in. They’ve done work in Michigan and the Midwest, as well as Florida, Vancouver (where everything is lovely), and tons of other places. We get to rely on their experience, and, yes, everything is on the table. In focus groups, and already this week, we’ve talked about travel lane conversions, roundabouts (what?), development in and around Depot Town, dinosaurs on the Water Street Trail, relocating the Ypsi bus terminal, the reuse and new development on the old Boys and Girls Club site on Park Street, and and that’s just what’s at the top of my mind after a long day of talking with folks. Planning out 10-20 years gives us more room to shape the city in ways as simple as making available more uses in downtown districts to encourage more business, to rethinking our street network, and imagining reuse scenarios for underutilized sites. Someone suggested a rollercoaster today – not sure where that will go – but yes, bring the ideas.

MARK: I’m reminded of the situation a few years ago when EMU made a move to close College Place, one of the main thoroughfares which connects the University with the City. I don’t recall if, in the ensuing debate, the Master Plan was ever invoked, and that makes me wonder if it has teeth. I guess what I’m asking is, how enforceable is the Master Plan?

TERESA: That was part of a neighborhood plan that I don’t believe was ever formally adopted. The teeth of any Master Plan is the subsequent zoning ordinance, and community by-in. If people are included in the plan, and invested in the process, then, in addition to the ordinance, their support and encouragement to move forward will keep it active and relevant.

MARK: What are some of the more ambitious ideas that have come to the surface so far? Is anyone pushing for a downtown garbage incinerator, or zoning changes that would allow for a Water Street hog processing plant? Is anyone advocating for the selling of public park space? Has anyone argued for the lessening of historic district standards?

MURPH: I haven’t heard anything shocking — apparently I missed the dinosaur rollercoasters. There was some talk about reconfiguring the Cross & Washtenaw intersection, to put the water tower at the center of a roundabout; a lot of talk about turning the one-way streets into two-ways (the traffic engineers seem to think this is realistic); consolidating all the tobacco and medical marijuana businesses and the Vu into a vice district; generating all of our own energy in town. Strong support for getting a burrito place in town.

MARK: I imagine one of the major drivers behind the drafting of this new Master Plan is our desire to make something happen on Water Street. What, specifically, are the major issues, as you see them, which need to be addressed relative to that particular 38-acre downtown parcel?

TERESA: It has less to do with Water Street than it does making relevant an out-of date plan that had no direction for redeveloping a former industrial properties (the former Ford plant), no concept of our housing needs post housing crisis and with higher unemployment impacting our neighbors’ abilities to keep their homes. It doesn’t talk about addressing inequities that exist within the community, and it doesn’t speak well of managing and building off our natural resources or any of the legs of the sustainability table. The current plan was revised to address redevelopment of Water Street a few years ago, and Water Street is important, but so is addressing difficulty of pedestrians to get from EMU to downtown due to traffic flying through town. The Master Plan is bigger than any one piece.

But you didn’t quite ask me that. The community worked together on a full plan for Water Street in 1999. That resulted in Biltmore’s proposal for the site, and later Freed’s in 2006. It’s fine that today we’re willing to sell off portions of the site, as a developer would, to construct in phases. What’s tricky is that we don’t have a clear picture as to how we should guide that development. The City needs to set the stage with an idea of the form we’re looking for on the site, how to provide the infrastructure, and a clear process for seeking and guiding developers through construction. Currently staff can’t say to a developer – “Yes, we want that type of development in that location.” Every aspect is up for negotiation, almost to the point where the community has to convince itself each time that this is a good idea. (And you can interpret that to be a single project or the whole Water Street idea.) We know Water Street has baggage, and it will never be perfect. Nonetheless, we have to have a direction. It can’t be, “I’ll know it when I see it.” We have to find a direction and then we all have to get out of the way and make it happen.

MARK: What are the most common complaints you hear about the current Master Plan?

TERESA: Mainly that it doesn’t seem to reflect the creative, active community we have now… Which doesn’t mean that it failed. It just means it’s time for us to take the next step.

MURPH: The Master Plan is supposed to provide policy guidance to the Planning Commission especially as we consider zoning amendments or applications that we have some discretionary role in. Looking at it from 15 years later, I see the 1998 Master Plan as focused on “clean up”, on dealing with the sore thumbs and nuisance issues in various neighborhoods. For one thing, I think the city has achieved a lot of those goals–closing nuisance businesses that were operating illegally; getting dangerous buildings torn down or fixed up; etc.–and can focus less on those issues. The other side of this is that, since the plan focused on the details of what we had at the time, it didn’t provide much guidance for other developments: there’s no indication in the 1998 plan of what should be done with the old Ford/Visteon/ACH property, for example, because the plant was operating at the time and didn’t seem to be a concern. Similarly, when we undertook zoning ordinance amendments to more clearly permit arts-based businesses in town, there was nothing in the Master Plan that gave useful guidance on this.

I’d like to see our new master plan provide a better policy framework for things that aren’t anticipated at the time of the plan: rather than a checklist of “do this, then do this, then do this”–the old plan has several hundred very detailed recommendations about individual properties or specific programs–we need guidelines for how to approach various situations that we can’t anticipate. We’ll still have specific action steps in the new plan, but I like the starting point of talking about our values as a community, because these are higher-level things that can be applied when considering unforeseen things that come in front of us.

MARK: And this whole process is being called “Shape Ypsi,” which, to me, sounds like a local women’s gym franchise… but I suspect you’ve been hearing that a lot.

TERESA: I thought that myself, but most people have been kind enough not to say it. In our focus groups, we’ve been literal, giving folks playdough with which to reimagine the “shape” of Ypsilanti. I have been impressed by clock towers and tridges. There was also a castle (they were trying to convey that there were too many moats), an “elephant in the room,” and a Water Tower. I was surprised that we only had one of those.

MARK: I like that the website which has been launched to accompany the process allows for people to post questions. So far, though, there aren’t that many. I liked the comment from the person who wanted to suggest that we not pursue a local rail stop, as it would act as a portal, allowing nefarious Detroiters a way to enter Ypsilanti, as though they couldn’t find their way here by car, or some other form of conveyance.

TERESA: That was our first comment on the website! The second comment at Tuesday’s meeting, was about the problem of public urination, something I clearly haven’t thought about enough… We slowed down on the online questions once we started the focus groups, but I have a feeling that, after this week, we’ll put up a few more. Or, maybe you could give us suggestions on what we’ve yet to ask that needs to be asked.

MARK: How are things ultimately decided on? Does the Steering Committee vote on what’s included? And, once they’re done with the document, does it get voted on by City Council? Is there a process by which members of City Council members can then advocate for changes? Also, as I mentioned the Steering Committee, who’s been appointed to serve on it?

TERESA: The Steering Committee was formed by the Planning Commission. They ultimately will adopt the plan, but only after City Council approves release of the Master Plan to other communities for review (per state ordinance). The Steering Committee is guiding the process overall and will continue to work on outreach and championing the process and ultimate plan, as we hope other people in town will including City Council as well.

Here’s the Steering Committee:

Ricky Jefferson (City Council, Ward 1)
Pete Murdoch (City Council, Ward 3)
Rod Johnson (Chair, Planning Commission)
Richard Murphy (Vice Chair, Planning Commission)
Phil Hollifield (Planning Commission)
D’Real Graham (Recreation Commission)
Anne Stevenson (Historic District Commission)
Leigh Greden (EMU administration)
Desmond Miller (EMU student government)
Bee Roll (Business owner)
Teresa Gillotti (Planning staff)

MARK: What are some of the issues being raised in the focus group process that you hadn’t anticipated?

TERESA: A few times people suggested that a guiding value should be fun. I really like that notion.

MARK: Can you give me an example of a guiding value that you think might be appropriate? Do you, for instance, have something in mind like Google’s “Don’t be evil”? Or are you thinking of something a little less broad?

TERESA: We have a draft list of 10 values. None are as catchy as Google’s. The first three are: Safety comes first. Diversity is our strength. Ypsilanti is sustainable. The rest build off of those.

MARK: How would you suggest that people get involved, assuming they can’t make it out to any of the upcoming meetings that you’ve mentioned.

TERESA: If folks can get out tomorrow or Friday that would be great. Otherwise join the listserve on the website or the Facebook group. The team will be back the 3rd week in April for another intensive week. After that, we’ll be putting together a draft plan. So now is the time.

Posted in History, Ideas, Uncategorized, Ypsilanti | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , | 30 Comments

Making way for the further mallification of Ann Arbor, this month Eastern Accents, Herb David, and Mahek all cease operations

Cities are living things. They grow older, like all of us, and they change. They evolve, or they die. I get that. I’ve grudgingly come to accept that the best things in life are transient. That realization doesn’t make it any easier, however, to accept it when good things, that genuinely make me happy, go away. And it’s doubly painful when those good things are replaced by painfully bland, completely soulless franchises, which were dreamed up in the corporate boardrooms of Wall Street in order to more efficiently suction money away from our local community. It’s taken some time, but I can accept that Discount Records is no longer on State Street. I still have a real problem, however, with the fact that a Potbelly Sandwich Shop now stands on the site where James Osterberg, as a teenager hired to put new records on the shelves, decided to make music his life’s work, met his future bandmates, and earned the nickname “Iggy”. History, I would contend, is important to the civic fabric of a community. And places like Potbelly, as good as their sandwiches may be, and as interesting as you may find the refurbished, yet non-functional, turn-of-the-century stoves they build their themed stores around, seek to obliterate that history in order to convey their heavily-focus-grouped aesthetic of faux authenticity.

I quarel with my friend Pete about these matters frequently. We sit together over lunch – me bemoaning the creeping spread of corporate homogeneity across the American landscape, and him defending the ubiquitous presence of national chains, arguing that they’re more efficient, and often treat their employees better than their locally-owned competitors. For the past several years, these heated discussions of ours have taken place over a table at Mahek, a small Indian restaurant in Ann Arbor that we’re both quite fond of. When we met to eat there a few days ago, though, we found that it too had closed – the most recent casualty in a war on authentic, non-commoditizable, non-scalable American culture. In the case of Mahek, it doesn’t look as though its building is going to be taken over by yet another Starbucks or 7-Eleven, as it was purchased by local restauranteur Sava Lelcaj, but that doesn’t seem to be the norm these days, as downtown rents continue to climb beyond the reach of local entrepreneurs who don’t have national chains behind them. No, most of the time we hear about this kind of turnover happening, it’s something like a Five Guys franchise moving into the shell of Ann Arbor’s beloved local book store Shaman Drum.

Before we move on, I should acknowledge that Discount Records was itself a chain, and that Potbelly, despite its non-local ownership, likely pays its people better than some local restaurants, and at least professes to care about the environment and the communities in which it operates its 200+ identical stores. So, yes, these are complex issues, which don’t lend themselves easily to the black and white thinking we all love so much. This, of course, is something that many of us heatedly discussed recently in the thread that emerged from my interview with local entrepreneurs Jean Henry, Lisa Waud and Helen Harding, the founders of the local entrepreneurial support group Small & Mighty.

In the past several weeks, we’ve learned not only that Mahek was closing, but also that Blimpy Burger, Eastern Accents and the Herb David Guitar Studio would be going out of business. And, before this most recent round, it was White Market, which closed this past summer, after over 8o years in business. The building now houses franchises of both Florida-based Firehouse Subs and Wisconsin-based Toppers Pizza.

But, maybe there’s hope. Maybe, in time, the pendulum will swing back the other way, as it has in Ypsilanti, where unsuccessful chains have a tendency to be taken over by small and scrappy independent businesses… Our our local prepared food CSA, Harvest Kitchen, is in a former Qiznos. Our local Thai restaurant, Tuptim, is in a former Long John Silvers. The Blue Wolf Grill, which just recently opened on Washtenaw, is inside the shell of a former Taco Bell. Pacific Beach Burrito, before it closed, was in a former A&W. And Pita Pita exists where a Dunkin’ Donuts once stood. I take some comfort in that… in knowing that something better, and more authentic, might be waiting in Ann Arbor’s future. Let’s keep our fingers crossed.

Posted in Ann Arbor, History, Local Business, Locally Owned Business, Uncategorized | Tagged , , , , , , , , , , , , , , , , , , , , , , , , | 49 Comments

Benicio del Toro’s upcoming film “A.K.A. Jimmy Picard” to feature the puppetry work of Ypsilanti’s super-talented Dreamland Theater crew

One day earlier this winter, as I was making my way around town, pushing my sleeping son in his stroller, I decided to turn down Washington Street and see if I could find Naia Venturi, the owner of Ypsilanti’s Dreamland Theater. Fortunately, she heard me knocking on the door, and came out from behind the curtain to let us in. After exchanging a few pleasantries about how great the sleeping baby/newly-painted theater looked, we began talking about what we’d each been up to since wrapping the last episode of Dreamland Tonight, the puppet-hosted talk show that we’d worked on together. I did my best to make my life of incessant diaper-changing seem interesting, talking about a trip that we’d recently taken to Milwaukee, where I’d eaten some pretty good deep-fried cheese curds, and Naia responded by telling me that she’d just returned from the set of a film, where she’d been shooting scenes with the incomparable Benicio del Toro. (Thankfully, my son was asleep, and didn’t witness my intense humiliation.) Well, upon regaining my composure, I asked Naia if she’d be willing to do an interview once the project was completed, and she agreed. What follows is our subsequent discussion.

MARK: What can you tell us about the movie? All I can remember is that Benecio del Toro’s character is returning from WWII, and, I guess, having problems readjusting to life… Is that right?

NAIA: The movie is called A.K.A. Jimmy Picard and it’s based on the book Reality and Dream: Psychotherapy of a Plains Indian by ethnologist/psychoanalyst George Devereux. The book, as I understand it (please note that I’m paraphrasing director Arnaud Desplechin’s explanation to me, and Arnaud’s English is not perfect), is about the insights that George Devereux (played by Mathieu Amalric in the movie) had while treating a WWII vet from the Blackfoot nation, Jimmy Picard (played by Benicio del Toro), who is suffering from what we now refer to as PTSD. The story is about the relationship between Devereux and Picard, and the doctor’s discovery of the importance of considering cultural background in psychiatric treatment.

MARK: So, where do you and the puppets fit in?

NAIA: In the story, a touring puppet troupe performs at the institution where Devereux works and Picard is being treated. The troupe performs A Midsummer Night’s Dream with marionettes. Jimmy Picard is in the audience watching the puppet show and, at some point, notices that one of the puppet’s knees are bent (sloppy puppeteering). And this causes him great agitation. (It has the same effect on me.) …So much so that he goes up to the puppet and straightens its leg out.

MARK: When you say “bent” do you mean that it’s bent backwards? Because knees are supposed to bend, right?

NAIA: Not when you’re supposed to be standing up. One of the easiest mistakes to make with a marionette is to have it floating or sinking – the puppeteer has to be cognizant of the vertical position of the puppet at all times, which is tricky since you are looking at it from above.

MARK: Did it hurt to play the part of a “sloppy” puppeteer? I mean, after all, this is your big shot, and you take pride in your work, right?

NAIA: Not at all. Besides, we had other scenes too, with less sloppy puppeteering.

MARK: Do you think that you might make it into the film, or can we just expect to see the puppets?

NAIA: Andy and Jessie may be in the movie as the puppeteers. They were given period haircuts and outfits, and both looked really awesome. There were a few shots taken looking up at them controlling the puppets. Andy and Jessie each had a door of a trailer with their name on it!

MARK: How’d you come to be involved in the project?

NAIA: Jamie Klenk, a friend of mine and an excellent photographer (she had an exhibition at Dreamland last year), worked on the movie as the art production assistant. She and the art director, Dina Goldman, were trying to find puppets and puppeteers for the project. They were originally looking in New York (which has a thriving puppet scene), when Jamie suddenly thought of me. She showed Arnaud some photographs that she had taken of my puppets and he loved them and asked to meet with me… I made three new puppets for A Midsummer’s Night Dream including Puck and Bottom, with a swappable head – man and ass. I had to rework the ass head several times to making it menacing enough for Arnuad.

MARK: Most importantly, did the puppet that you made of me have any scenes with Benicio Del Toro? If so, how will I appear in the credits? Will it say “Puppet Mark Maynard”?

NAIA: No – sorry – I didn’t use the Mark puppet for this one.

MARK: Did you consciously decide to leave me out? Were you trying to protect me from the corrosive effects of fame, thinking that I’d spiral out of control like Lindsey Lohan? Or, was it the director? Did he not like the look of my puppet? Was I too fat? Was my hair not shiny enough? Or was it just that I didn’t return his advances?

NAIA: Yes to all of the above.

MARK: If I’m not mistaken, Arnaud Desplechin, who’s probably best known for 2008’s A Christmas Tale, is French. I’m not sure why… maybe it’s a stereotype… but my sense is that a French director, more-so than one from our country, would be respectful of puppetry as an art form. Having only worked on one feature film, I don’t know that you can make a categorical statement to that effect, but I’m curious to know what he was like to work with.

NAIA: Arnaud used shadow puppets in the opening of A Christmas Tale. The shadow puppet sequence is really beautiful and sets the tone of the movie – he showed me this sequence at our first meeting. Arnaud definitely had very specific visions/aesthetics in mind for Jimmy Picard and he seemed excited to use puppets to help express this vision. I don’t know that including puppetry has anything to do with him being French – it is true, though, that almost every country in the world has more respect for the art of puppetry than the US.

MARK: Were you able to improvise at all, or were they really clear as to what they wanted?

NAIA: Arnaud loves the 1935 Hollywood version of A Midsummer Night’s Dream (as do I) and had specific scenes from the movie in mind. Dina (the art director) brought in Katrina Whalen, a filmmaker and animator from New York to Michigan, to help me with the puppet stuff. Katrina turned out to be a super awesome person and invaluable in helping get everything done in the limited time we had. All of us sat around in the little temporary offices in Dearborn and marked these scenes in copies of the play and brainstormed on what to include. I agreed to put together and rehearse more puppet scenes than were needed even though, in the end, there would only be a couple of short shots of the puppets. I spent a great deal of time editing the scenes to work with marionettes, recorded these, and rehearsed them with three other puppeteers (Andy, Jesse, Anthea and Katrina). In the end (on the day of shooting) it was Arnaud who decided which puppet scenes to shoot, and we did what he asked – the director calls the shots after all.

MARK: Do you think it’s possible that this might open up the door to other feature film work?

NAIA: You never know – I certainly hope so.

MARK: Are you doing anything to make that happen?

NAIA: Nothing other than trying to make better and better puppet shows.

MARK: Did you get to interact at all with Benicio del Toro, either on the set, or off?

NAIA: I worked with Benicio on the scene where he comes up to the puppet stage and fixes the marionette. I had just finished improvising with the puppets, while Arneau shot the audience’s (patients’) reactions. I heard Arneau and Benicio talking about the scene, then a pair of hands reached for the marionette and stopped just before grabbing it. Benicio looked up at me and asked if it was okay if he touched the puppet. I said yes, of course. We proceeded to rehearse and then shoot the scene. I got to experience the intensity of Benicio’s acting first hand – when we filmed the scene for real, he shot me (the puppeteer) an angry glare after straightening the puppet that was so realistic that I felt scared for a moment… I got to meet a lot of really interesting people at the opening party, but Benicio wasn’t there. I spoke with Elya Baskin for a while (I am a bit of a Slavophil). He tested me on my Russian in the exact same manner that another Russian man did once. I’m beginning to suspect that this is a common trick. It’s pretty simple – He asked me what time is was in Russian and, when my head immediately turned to look at the clock on the wall, he said, “So you really do know Russian”.

MARK: If we could get the money together to buy him a ticket, do you think Benecio might come to Dreamland for an showing of the film? Or, better yet, how about appearing on an episode of Dreamland Tonight?

NAIA: I doubt it.

MARK: You doubt that we could get the money together for a plane ticket, or that he’d come to visit? I think it might be a fun little Kickstarter campaign… having the puppets ask Benecio to come back for a visit.

NAIA: Both… And go for it.

MARK: And, if I’m not mistaken, you got a new puppet stage out of the deal, right?

NAIA: I did! Justin Lang, another awesome person that did the set design, designed and built the puppet stage using specifications that I gave him. As we approached the day of the shoot, I asked what they were going to do with the stage afterward, and could I have it, and they said, “Yes”! Here’s a photo of the stage on the set (a room in a huge old, mostly abandoned convent in Monroe). I had to take out a couple of the panels, and cut a bit off the top in order to get it to fit into Dreamland…. After all of the work that went into the puppets, costumes and script, and since I have the stage and sets, it just seems natural for the Dreamland Puppet Troupe to present our own production of A Midsummer Night’s Dream. The opening is planned for Midsummer’s eve (Summer Solstice), June 21.

MARK: That sounds awesome… So, what else is going on at Dreamland these days?

NAIA: In terms of puppetry, the Dreamland Puppet Troupe performed “Chemical Trances ~ A Unabomber Love Story” to an audience of 400+ at the DIA and got a standing ovation – THAT was an awesome experience. Andy Mitchell and I are working a new puppet show developed around a musical score that he is composing (a.k.a. Peter and the Wolf). And Dreamland is performing an original show called “The Love Epidemic” this Sunday at 3:30 PM, doors at 3:00. (FYI – the Mark puppet IS in this one. He plays an employee of the Center for Disease Control.) We had a Butoh show last month that Aimee Adams set up, and there will be another one in May. Plus, weekly Butoh classes may start being held at Dreamland starting very soon. There is an EMU creative writing department event next Thursday: Muriel Rukeyser’s Book of the Dead, a performance organized by Carla Harryman, and a poetry reading with Tyrone Williams, Catherine Taylor and Judith Goldman. We have a number of other interesting show ideas floating around, so stay tuned.

MARK: So I get the infectious diseases, while the other puppets get to practice their craft with Benicio… I apologize if it was something that I said, Naia.

NAIA: That’s the long and short of it. But if there is a next time I will try to include him.

[Photos courtesty of Katrina Whalen.]

Posted in Art and Culture, Uncategorized, Ypsilanti | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | 21 Comments

City Manager Ralph Lange indicates that Ypsilanti is moving toward a hybrid police/fire scheme in which public safety officers will be expected to fight fires, save lives, pursue suspects and dispense lethal force

It would seem that Ralph Lange, our new city manager, has made up his mind that we should merge Ypsilanti’s Police and Fire departments in hopes of further delaying landfall of the category-five fiscal storm gathering on the horizon. He’s admittedly in a tough spot, and I’m sympathetic. He’s trying to radically cut spending, in order to stave off bankruptcy and state takeover, without damaging the fabric of our community to such an extent that we’d begin losing the tax-payig families that we currently have, and scare off businesses and individuals who might otherwise be considering investment here. It’s not an enviable task, and I’m not inclined to attack Lange for weighing the options available to us. I am, however, curious as to whether we’ve sufficiently thought through the ramifications of such a drastic course of action.

Before we go any further, here’s a short recap of where were we are in relation to that perfect storm of economic doom that I noted above… Ypsilanti is currently being threatened by several destructive forces, all of which seem to be feeding one another. We’re facing rapidly escalating legacy costs (mainly in the form of municipal retiree health benefits), decreasing tax revenues (resulting in large part from the well-documented crimes of the financial industry, and the closing of our local factories), evaporating state support, and looming bond payments (resulting from an ambitious, yet unfortunately-timed, land speculation deal initiated by our City leadership over a decade ago). And, of course, all of this is further complicated by the fact that working class Ypsilantians, hit hard by the recession, and living in a state where the financial burden is systematically being shifted onto the backs of the non-wealthy, have indicated that they’re unable to pay more in taxes in order to offset the impending devastation. So, we turn to our City Manager, asking him for suggestions as to how we might slash our budget to the bone, in hopes of buying us some time. And, it would seem that Lange has come to the conclusion that, in order to see this accomplished, we need to both consolidate our current public safety infrastructure, and demand that our public safety officers do exponentially more with fewer resources, less backup, and decreasing pay.

“I think the position is… we’re going with the hybrid public safety,” Lange told AnnArbor.com. “That’s where we’re going. It’s not just about police and fire. For the city to be successful, I have to work with council to make sure the city is literally one integrated unit.” (I’m hoping that when Lange says that the whole city will be “one integrated unit,” he isn’t envisioning a scenario in which our city clerk is called on to pull people from burning buildings, and our police officers are being called on to don hairnets and ladle out school lunches.)

If we don’t merge our public safety departments, we’re told, it would mean that we’d be forced to accept an Emergency Financial Manager, appointed by the Governor, who would not only force our police officers to fight fires, but sell our publicly-owned assets, dissolve our democratically elected local government, etc. This, of course, is an eventuality that we’ve discussed at length before. Here was my contribution to the conversation at the time.

Does anyone remember, back when we were debating whether or not to pass a City income tax, and people on the anti-tax side would refer to pro-tax people as “fear mongers” whenever they dared to bring up the fact that public safety employees would inevitably be cut, should the tax not pass? It’s kind of funny how silent these folks are now that we’re talking about cutting our full-time fire fighters down to just three, isn’t it?

As for cross-training public safety employees so that they can both fight fires and shoot criminals, I think it’s a great idea. I’d go a step further, though. I’d also have them picking up trash as they make their way around town, so that we can lay off a few more public employees. As long as these new firefighter-cop hybrids of ours are running down alleys after a criminals, for instance, why not have them scoop up some candy wrappers in their hand that’s not engaged in dispensing lethal force? Or, better yet, maybe they could just cut out the middle man, and just have the criminals do the work of public safety officers? Why not have prisoners fighting our fires? They’re plentiful, cheap and expendable… Before you laugh, you should know that it’s already being discussed in Georgia. This, my friends, is the future that we’re leaving to our children.

For those who are interested, these are all things that we’ve discussed here before…. We’ve had really great conversations over the past half-dozen years about living in a post public safety world, and the prospect of having to shoot our own bad guys and put out our own fires, like good, little “pull ourselves up by our bootstraps” Libertarians, should additional revenues not be forthcoming. And, now… finally… it looks like we’re going to get our chance to truly experience the exhilarating freedom that comes with radical self-sufficientcy. Finally, we’re throwing off the shackles of modern society, and boldly stepping into a paradise the likes of which hasn’t been seen here since our distant ancestors began living to be over 30 years old. Can you feel the excitement?

[a note to young readers: I predict that a majority of jobs in the coming decade will be in the field of private security. The rich may have decided that they don’t want to continue funding police and fire services for everyone else, but they sure as hell haven’t decided that they themselves should live without security and fire protection.]

And here’s what MarkMaynard.com’s resident fire fighter had to say at the time:

As a retired firefighter, let me weigh in.

First, if there is a three person department, there would be one on each shift. That firefighter would maintain the trucks, do the state reports, all the other stuff, and when a fire call comes in, would drive the fire apparatus to the scene and set up. He/She would wait for arriving personnel (whoever they are), and set up for a fire attack. The fire station in Superior Township at MacArthur Blvd was a one man station, I don’t know if that’s the case today. It would be instructive to talk to some of the guys who worked that station about the ramifications of a one man station (I use “man” as the generic firefighter, I know there are women) understanding that there were other Superior Firefighters in route.

Second, Troy has relatively new buildings, and a higher economic level than Ypsilanti and Ypsi Township. They have STRINGENT building codes and STRICT enforcement of the codes and buildings that were NOT built at the turn of the century. They have the luxury of a paid on call department that I don’t believe our area has.

Third, My thought would be that YFD would not run EMS. I would think that HVA would now run all EMS calls, as cross training Police to do firefighting is one thing (and as a personal opinion, I disagree with this idea), but to do EMT certification is something much different with very demanding and regular Continuing Ed.

Fourth, Mutual aid agreements… How will YFD be able to respond to it’s mutual aid partners with sufficient personnel and resources? Mutual aid is meant to be a quid pro quo, not a supplement of “weaker” departments by “stronger” departments (I only speak in terms of numbers, not in quality or competence). If Ypsilanti becomes a “one man shift”, how does the quid pro quo get met? It can’t.

Fifth, Brian (Robb) is incorrect when he writes, “Ypsilanti would still fight fires there same way we do today. Ypsilanti would also patrol the streets the same way.” I would ask how Brian figures that is true… You, by the nature of the changes made, would NOT fight fires or patrol the streets the same”. Those PSO officers would have competing demands on their time, training, and priorities. Guess what, Police work will always win over.

Sixth, A Fire Chief once told me, we did our jobs too well. We pushed fire education in schools, gave away free detectors, wrote fire codes. All these things reduced the number and severity of fires. Fewer people died and more property was saved. Now, in times of budget stress, the Fire Department is an easy target. What folks have to remember is that we are the best insurance you have. When the phone rings, 24/365, you will have a staffed big red/yellow truck show up to mitigate your disaster, big or small. There’s no delay, there’s no “get in line”, there’s just a response. If this amorphous proposal comes forth, that contract changes.

Seventh, how much will your insurance rates increase when your fire department is reduced to a paid on call? Maybe a little, maybe a lot, but I’ll bet there will be corresponding rate increases. They MAY be less than any tax increase to keep a full-time, staffed department, but I’d bet you will see increases, and those increases will hit your commercial buildings at a higher rate than your homes. How will your businesses respond to this “hidden” increase?
I hope I have added to the conversation. I realize that Ypsilanti faces really bad choices, but cutting Fire services to the extent described, I believe, would be a mistake.

So, do folks feel as though all of his concerns have been sufficiently addressed? Are we ready to accept the fact that we may soon be participating in this grand civic experiment? I can certainly see why, on the face of it, it makes sense. We do, after all, have to balance our budget if we hope to avoid state takeover. But it just seems to me that, while we’re focusing so intently on staying one step ahead of the axe, we’re missing the bigger issue, which is that this is all part of a coordinated campaign to decimate Michigan’s middle class. Here, with more on that, is a little something that I wrote a year or so ago. I think it’s as appropriate today as it was back then.

…Why is it that we allow the Republicans to refer to themselves as the anti-tax party, when they keep demonstrating that they clearly aren’t? Sure, they’re all for the cutting of business taxes, inheritance taxes, and other taxes that would threaten to decrease the wealth of their party’s high-net-worth donors, but, invariably, those shifts in tax policy lead to higher taxes for everyone else. Elsewhere around the United States, the shift may not be as plainly visible, but, here, in Michigan, it’s painfully obvious to all but the most delusional among us. As business taxes are being eliminated, and corporate taxes on capital assets are being phased out, the burden of maintaining public services is falling disproportionately on the shoulders of the non-wealthy, and we’re all feeling the increased financial pressure.

In Michigan, income taxes on the poor and middle class are rising, the pensions of our retirees are being taxed, tax credits for the working poor, like the Earned Income Tax Credit (EITC), are being slashed, and, with state assistance for higher education drying up, families are going into unprecedented debt in the hopes of securing stable futures for their children. The Republicans may not see all of these as tax increases, but they are. The increased insurance payments that many of us are forced to pay, because our local fire departments are being downsized, is essentially a tax. The same goes for the private school tuition that several of us are paying, rather than suffer through the constrictions of a public school system which is being systematically dismantled. And these few examples are just the tip of the iceberg. The truth is, it’s becoming increasingly difficult for regular working people in Michigan to merely sustain life. Fortunately for those in power, houses aren’t selling. If they were, I suspect that most of us would be gone.

And, as those of us in Ypsilanti can attest, it’s the folks who are living in Michigan’s aging cities that are feeling the brunt of this radical redistribution of wealth. With state revenue sharing for cities dropping precipitously, one-by-one communities are being asked to make the choice — either institute a personal income tax, and pay for our own city services, or submit to the rule of an unelected Emergency Financial Manager, who will be empowered to sell off our community assets at fire sale prices, dismiss our democratically elected officials, privatize city services, and break contracts with city employee unions, essentially stripping our carcass of what little meat there is left, and sealing our fate. As long as we don’t ask the wealthy in Michigan’s upscale gated communities to contribute toward the greater good, it’s all the same to the folks in Lansing. They’re allowing us to make the choice…

In another five years, we’ll be organizing bucket brigades to fight fires, and policing our streets ourselves. The trajectory, I think, is pretty clear. And it has nothing to do with our being wasteful, or living beyond our means.

Posted in Uncategorized, Ypsilanti | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , | 45 Comments

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