Emilia Javanica on the Red Blob Massacre, and what it’s like to shoot one’s first independent film

A few months ago, I announced here on the site that an aspiring filmmaker in Ann Arbor, by the name of Emilia Javanica, was looking for actors to cast in a comedic horror film that she was making called the Red Blob Massacre. Well, the film has just completed production, and I took the opportunity to chat with Emilia about the experience of making a low-budget horror film in Ann Arbor. What’s follows is our exchange.

MARK: I’m curious, now that you’ve wrapped production, if you could reflect on the experience of shooting a movie here in Michigan, with next to no budget. Would I be right to assume that people were receptive to the idea, willing to volunteer their time, etc?

EMILIA: Yes! I have had amazing support from a great group of talented filmmakers, actors and artists, for a very limited amount of money. I did receive some funding through the UM School of Art & Design (Discretionary Grant & Smuckers-Wagstaff Grant), but it was definitely not enough to compensate everyone properly for all of the hard work they put into the project. I now understand why films can be multi-million dollar endeavors (although I’m not sure if I would ever want to go that route). The nice thing about low-budget filmmaking is that you have more control – if I had more sponsors, I would probably have to give them more, and live more up to their expectations. Who’s to say that some funder wouldn’t have insisted that the Red Blob be Blue instead? So, having full creative control is definitely a plus to low-budget filmmaking. In addition to the amazing crew of artists and filmmakers, I also had some really generous offers for locations to shoot at for free. One of them was at the house of my landlord, Steve Wild, who let us spend an entire 10-hour day shooting the home scenes for the film. Another was the Chair of the School of Art & Design, Brad Smith, who offered up his office for one of the killing scenes.

MARK: Was this your first foray into film making?

EMILIA: Yes. I’ve done a lot of shorter video work, but nothing quite so big. This is not a feature film – at this point it’s at about 20 minutes in length. But within that 20 minutes was SO much work!!! I’ve learned a lot from it. Really, about everything, not just filmmaking. I think I’m a better artist from it. It has been challenging – I’ve made some mistakes, and spent waaayyyyy too many hours editing in front of a computer. I’ve read a lot of books, watched a lot of instructional videos on Youtube, and gotten a lot of tips from friends with more experience. The week before we started shooting, I was kinda shitting bricks. I had no idea what to expect. But, luckily, I had a talented crew of filmmakers to work with who knew what they were doing. I couldn’t have done it without them.

MARK: If you were to do it all over again, what, if anything, would you do differently?

EMILIA: Good question! Well let’s see… I might have had even more people helping. Directing, making props, producing, acting in AND editing a film is a LOT of work. I really wasn’t sure what I was getting myself into – there were moments when I was like “Why the hell am I doing this??!” You know, those moments when I was up at 2:00 AM, wallpapering my entire bedroom with magazine cut-outs, while cooking a meal for a crew of 8, while trying to go over my acting and directing plans for the shoot call at 10:)) AM… that was pretty crazy. But… I also liked the craziness of it, the lack of sleep, the super productivity. For the most part, I was having a really awesome time doing it. So, yeah – I guess I might try and get a few more people to help next time, but, overall, I’m glad I did it, and, next time, I’ll certainly have developed skills to do it better. It’s a learning process.

MARK: Why horror? Do you have a love for the genre? Or, does it have more to do with the fact that there’s a built-in audience when it comes to horror, and a relatively low barrier of entry?

EMILIA: Both, actually. Honestly, I never was a big fan of horror in the past – I was the kid who had nightmares from Stand By Me. Horror makes me feel a little uneasy. But, when I was starting this project, I began watching all these B-movie horror films like The Blob, Swamp Women, Bride of the Monster, Attack of the Killer Tomatoes, Cat People, and just loved them. They were campy, but at times also disturbing and scary (well, Attack of the Killer Tomatoes wasn’t really scary, but you know what I mean..). Death has always been a topic of exploration in my artwork, so horror as a genre suddenly made so much sense, and had a lot of creative potential. Other films of inspiration included: Carrie, Eraserhead, Basket Case, Sins of the Fleshapoids, Little Otik, as well as classic silent horror films, particularly from the German Expressionist movement, such as The Cabinet of Dr. Caligari and Nosferatu. I saw the screening of Nosferatu accompanied by a live organ sound score at the Michigan Theater in October, and was blown away. This had a big influence on my decision to make my film a silent film, and have a live sound score performed to it at the screening.

Harry Shannon has a great quote in the article “Why We Write Horror” written by Michael McCarty: “For me, reading and writing horror is about eating my own shadow so it won’t eat me.” I totally relate to that – there are so many nightmares in my head, fears of premature death, and other horrible atrocities.. why not funnel them into something creative? Everyone has fears, or tendencies toward violence. Using them creatively seems like a pretty constructive way to process them.

The built-in audience for horror is definitely a plus. I think horror does have an easier entry-point than, say, a drama film about war and politics… People want to be entertained, and horror is entertaining. At times you want to look away, but your eyes are glued to the screen. Combining humor with horror makes the entry point a little easier, and opens people up more to issues that they might be closed off to in another context. It’s actually a really good medium to talk about deeper issues. Even though this event should (hopefully) be fun and crazy, and the framework of the film is pretty absurd, I hope it will also create dialogue and leave people thinking about the underlying issues of the film beyond the night of the event.

MARK: As someone who has thought of shooting a film locally, I was wondering what advice you might have.

EMILIA: Find a good team of people to work with. Who you work with really makes the film. You want it to be fun! Shooting the film was a lot of work, but we laughed a lot too. That really alleviated the stress for me. It was an adventure!

Also along those lines – if you’re cooking for people to save money (which I did), get a crock pot. That was one of those really great purchases I made right before the filming that helped a lot. All I had to do was throw in the ingredients the night before and wallah – in the morning it was ready to serve.

Don’t rely on Michigan winter. The script of my film had a lot of snow in it. When January came around to shoot, there was still hardly any snow on the ground! We lucked out that we did get one lovely snowy day when we were able to shoot all of the snow shots outside, but, in general, be prepared for weird weather to throw a curve ball at you.

Make a storyboard. I wrote the script, but that wasn’t going to help on the set. At first I was hesitant to draw out an entire storyboard because my drawing skills aren’t perfect, and it seemed like a lot of work. But I did it, and am so glad that I did. It gave a structure that we could plan our shooting schedule around, and served as a good jumping off point. Which doesn’t mean that we didn’t improvise and add/subtract shots as we went along, but we always had something to fall back on. Drawing the storyboard also really helped me out with visualizing the world of the film, including the drawn elements and stop motion animation.

MARK: When will the film debut? And what can those of us who come out for it expect? I’m not mistaken, there’s more to this that just the film, right?

EMILIA: Yes! The film will debut on Thursday, April 5 & Friday, April 6 at the Cavern Club (210 S. 1st Street, Ann Arbor, MI). The doors will open at 7:00 PM, and the screening will start at 8:00 PM sharp. In addition to the screening, there will also be a live performance. The Cavern Club is an amazing space, and those who come out can expect to interact with performers, and be a part of the event. It will be a full experience. I’ve always been into engaging my audience in more ways than just having them sit as passive onlookers. There will be various ways to interact within the space, and the last scene of the film will actually be filmed on location at the event. So people can expect to be a part of that in some way. It will be fun!!! Tell people to dress up and wear their dancing shoes! If they’re over 21, there will be drinks available for purchase at the bar. Popcorn and other treats will be provided. DJ tunes will be played by Chuck Sipperley. And the actual film will be screened to a live sound score played by Simon Alexander-Adams. So yes, there will be lots more happening than just the film.

MARK: Having made one film, are you likely to make more? Or, was this just a one-time thing, done in order to fulfill a University requirement? And, if you are planning to do this again, have you given any thought as to what the subject matter might be?

EMILIA: I would love to make another film, and definitely don’t see this as just a one-time thing/University requirement that I had to fill and then be done with. I’d wanted to make a film for a long time, act. I don’t have any specific ideas for the next project, but horror is something that still is on the top of the list. Horror combined with humor, that is. I did have one idea to do a short film set in the laundry room in the basement of my house – I always feel creeped out when I go down there. But no set plans yet. After the premiere of Red Blob Massacre, I’ll actually need to go back to the editing room and add in the final scene, which will be filmed at the event. That, and work on recording the live sound score to add into the film. Once that’s done, I’d like to submit the film to film festivals. I’m also considering the possibility of trying to take the film, combined with live performance, on tour to a few other places – Detroit, Chicago, Minneapolis, New York… that would be awesome. So we’ll see how it all unfolds.

MARK: Given your prolonged exposure to this team of local film people that you assembled for the film, do you feel as tough you have a pretty good handle on the local indie film scene? Would you say that we have a cohesive and growing film community here?

EMILIA: It does seem like there are a lot of filmmakers in the area, and I’ve been introduced to a lot of new people involved with the scene through this project. And then there’s the Ann Arbor Film Festival, which is a nice blend of local and international filmmakers and film lovers. I definitely think it’s out there, but, to be honest, I’ve been so immersed in my own project that I haven’t really had the chance to get too involved with the scene as of yet, except for the people I’ve worked with. This is certainly something on my list of things to do. I think this project is definitely a good way to break into it. I’m ready to work on the next project for sure – either making another of my own film, or being a part of someone else’s!

MARK: What’s the biggest mistake that you made, and what did you learn from it, if anything?

EMILIA: Biggest mistake: hmmmmmm…. it’s been a pretty big project. I might have toned it down a bit… but, then again, I always do that. The live performance part has been challenging to coordinate a bit – it’s always difficult to find an ending to something. But it’s coming together. Honestly I don’t think anything has been a tremendous mistake, just small things that I’ll learn from and do better the next time!

MARK: Is there anything that I should have asked and didn’t?

EMILIA: Something else you should have asked: What’s my sign? It’s capricorn. What’s my favorite desert? Ginger cookies. What’s my dog’s name? Jay Jay. Was Jay Jay part of the film? Yes, he was there for a lot of the filming, mainly the stuff we shot at my house. Everyone on the crew was passing him around so he wouldn’t bark when we were shooting (he’s a chihuahua, so he’s easy to hold). Having a dog on the set is nice. Just make sure you have someone to hold him at certain points. When we shot the nightmare scene, he kept wanting to get up on the bed and curl up by my legs, which was super sweet, but didn’t really fit in with the story…

MARK: What books did you read for inspiration? Did you take film classes? I’m just curious if, for instance, you read any of John Waters’ books on the making of his early films, watched any of those little videos by Robert Rodriquez on making movies tricks, etc. And, if so, what did you find the most useful and/or inspiring?

EMILIA: Yes- I did watch a John Waters interview, as well as a David Lynch interview about his experience making Eraserhead, along with several other random interviews and instructional videos. Most helpful books I read: “Digital Filmmaking 101: An Essential Guide to Producing Low-Budget Movies” by Dale Newton & John Gaspard, along with “Fast, Cheap, and Under Control: Lessons from the Greatest Low-Budget Movies of All Time” by John Gaspard. The first book was helpful for the nuts & bolts of filmmaking, the second for inspiration. There’s also some great interviews with George Kuchard on youtube, here’s a link to one of my faves – some good inspiration for super low-budget underground filmmaking. There were a ton of other random filmmaking tips I discovered on the internet, but at this point I’m not sure where all those links are.

In retrospect, I probably should have asked more about the plot of the film. If I were a better blogger, that’s what I would have done. As I’m totally selfish, though, I went off on a tangent about the process, which I find incredibly interesting. Sorry about that, but I have an idea for a short film involving me and puppet Mark that I really need to get started on.

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The killing of Trayvon Martin, and what it signals for the future of America

By now, you’ve probably heard about Trayvon Martin, the 17 year old who was recently shot to death in a gated Florida community by an armed, criminally-overzealous-at-best member of a neighborhood watch group. Martin, who was black, was making his way back to his father’s home, after having purchased some candy and an iced tea from a nearby 7-Eleven, when he attracted the attention of 28 year old George Zimmerman. Zimmerman, who informed a police operator that the young black man was wearing a hoodie, and looked out of place, took it upon himself to pursue the young man. Zimmerman was told not to do so by the police dispatcher, but proceeded to anyway, saying, “They always get away.” According to initial police reports, a confrontation ensued, during which Martin was killed. Zimmerman, it seemed, had acted in self-defense.

Thankfully, however, Martin’s family, and members of the community, weren’t willing to just let the matter rest. They demanded to hear the 911 tapes, hoping they might shed some light on how the unarmed man had come to die. After denying the request for several days, the police reluctantly conceded. And, with that, the police narrative began to unravel.

Here, first, is Zimmerman’s call to the police, followed by the call of someone in the neighborhood. As you’ll hear in the second recording, Martin’s screams for someone to help him come to a abrupt end with the firing of Zimmerman’s gun.

And, now, not only is evidence coming out that Zimmerman, who had tried and failed to become a cop himself, had had some run-ins with the law, and a history of obsession when it came to young black men in his neighborhood, but that the local police tried to influence testimony in order to make it look as though Zimmerman, and not Martin, had been the one yelling for help. The following clip comes courtesy of ABC News:

…Another officer corrected a witness after she told him that she heard the teen cry for help. The officer told the witness, a long-time teacher, it was Zimmerman who cried for help, said the witness. ABC News has spoken to the teacher and she confirmed that the officer corrected her when she said she heard the teenager shout for help….

I don’t have a lot to add to the story, and, at this point, I think it would be irresponsible to start speculating as to whether or not Zimmerman fancied himself a libertarian “I’ll take matters into my own hands” tough guy hero, but I did want to offer something for your consideration. Regardless of the facts in this case, I think it’s pretty clear that, with the increase in privately owned weapons, and the decreased funding for trained police officers, that we’re going to see more and more of this in the future. As we’ve discussed here in the past, the instances of “justifiable homicide” are already way up in Detroit, and I don’t see any reason why every other town around our country wouldn’t eventually be following suit, from the poorest urban wasteland, where individuals are increasingly carrying concealed weapons, to the the most wealthy gated community, guarded by private security forces. At any rate, I think it’s something that warrants discussion. And I’m wondering how people feel about it.

I’ll leave you tonight with this quote from Martin’s mother.

“My son didn’t do anything. He was walking home from the store. Why would the neighborhood watch guy have a weapon? It’s just crazy. You are supposed to watch the neighborhood, not take the law into your own hands.”

So, is this this the kind of America that we want to live in? Do we want to be governed by mob rule, and frontier justice, in a country where our untrained neighbors are taking the law into their own hands, without consequence?

update: Given the increased national attention, and the promise of protests in Florida, federal agencies say they will be opening a formal investigation.

update: Both Slate and Mother Jones have good pieces on Florida gun law, and why it is that you can kill almost anyone there and call it self-defense. Here’s a clip from the Mother Jones article:

…Zimmerman may have benefited from some of the broadest firearms and self-defense regulations in the nation. In 1987, then-Gov. Bob Martinez (R) signed Florida’s concealed carry provision into law, which “liberalized the restrictions that previously hindered the citizens of Florida from obtaining concealed weapons permits,” according to one legal analyst. This trendsetting “shall-issue” statute triggered a wave of gun-carry laws in other states. (Critics said at the time that Florida would become “Dodge City.”) Permit holders are also exempted from the mandatory state waiting period on handgun purchases.

Even though felons and other violent offenders are barred from getting a weapons permit, a 2007 investigation by the South Florida Sun-Sentinel found that licenses had been mistakenly issued to 1,400 felons and hundreds more applicants with warrants, domestic abuse injunctions, or gun violations. (More than 410,000 Floridians have been issued concealed weapons permits). Since then, Florida also passed a law permitting residents to keep guns in their cars at work, against employers’ wishes. The state also nearly allowed guns on college campuses last year, until an influential Republican lawmaker fought the bill after his close friend’s daughter was killed by an AK-47 brandished at a Florida State University fraternity party.

Florida also makes it easy to plead self-defense in a killing. Under then-Gov. Jeb Bush, the state in 2005 passed a broad “stand your ground” law, which allows Florida residents to use deadly force against a threat without attempting to back down from the situation. (More stringent self-defense laws state that gun owners have “a duty to retreat” before resorting to killing.) In championing the law, former NRA president and longtime Florida gun lobbyist Marion Hammer said: “Through time, in this country, what I like to call bleeding heart criminal coddlers want you to give a criminal an even break, so that when you’re attacked, you’re supposed to turn around and run, rather than standing your ground and protecting yourself and your family and your property.”

Again, the Sunshine State was the trendsetter: 17 states have since passed “stand your ground” laws, which critics call a “license to kill” or a “shoot first” law. The law has been unpopular with law enforcement officers in Florida, since it makes it much more difficult to charge shooters with a crime and has regularly confounded juries in murder cases; many Orlando-area cops reportedly have given up investigating “self-defense” cases as a result, referring them to the overloaded state attorney’s office for action. A 2010 study by the Tampa Bay Times found that “justifiable homicides” had tripled in the state since the law went into effect…..

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America is Doomed… and not for the reason these people think

I had occasion to watch television for extended periods of time this weekend, and it certainly didn’t do much to dissuade me from my belief that ours is a paranoid and fearful culture in decline. Here are two examples. The first is a promo for a show called Doomsday Preppers on the National Geographic Channel. The second is an ad for a show on the Discovery Channel, called Doomsday Bunkers. I got to watch episodes of both, and I’m now more confident than ever in my decision to fill my pockets with rocks, walk into the Huron River, and just sink down peacefully to the bottom, when the cannibal holocaust is upon us. Simply put, if these are the people who are going to inherit the earth, then I don’t want any part of it. (At least the guys in Mad Max had some fashion sense.)

In related news, I’m thinking of starting a new multi-author blog called America is Doomed, where friends and I can just rant about about this kind of stuff. I need somewhere, other than this site, to vent about the likes of the Jersey Shore and Celebrity Rehab. (When I write about that kind of stuff here, I feel as though it contaminates everything else.)

Speaking of how bad American culture has gotten, when the family and I were in Toronto a few weekends ago, I threw out my back, leaping for the remote control in our hotel room, when I heard Barbara Walters, from across the room, ask Joan Rivers if she’d had her vagina surgically tightened. Thankfully, I don’t think that Clementine could hear anything over my bloodcurdling scream…

As for this new crop of doomsday shows, I guess it was just a matter of time. The subject matter is admitted compelling, as mental illness often is, the content is pretty much free, as the people featured are likely stupid enough to welcome cameras into their homes without compensation, and it’s hard to imagine subject matter better suited for companies advertising canned goods, batteries and liquor. (The episode I watched featured a family that spends over $200 a week on alcohol, which they’re convinced will be the currency of the future. The father of the family, who doesn’t drink, by the way, explained the bottles could also be lit on fire and hurled at people, burning them alive.)

Actually, on second thought, maybe I won’t just lay down and die when the end times come, like Guy Mcpherson. Maybe, instead, I’ll just find one of these terrified reality television families, who were nice enough to show me where they keep their stockpiles, and tell me how they intend to defend them, and then somehow trick them into giving me all of their aluminum foil, hams and whisky… Maybe I could trade them for magic seeds!

Posted in Ideas, Pop Culture, Rants, Uncategorized | Tagged , , , , , , , , , , , , , , , , , , , , , , | 22 Comments

Johnny Lupinacci on this week’s “Activism and Education: A Celebration at EMU” activities

I just heard about a big student activism event taking place this Thursday and Friday on the campus of EMU, and reached out the organizers with a few questions. What follows is my exchange with EMU doctoral student Johnny Lupinacci.

MARK: Can you tell me a little about this event coming up at EMU?

JOHNNY: The event is really a series of events that all fit together to strengthen networks of solidarity among the people both at EMU and in the local community who take action in response to the immense unjust social and environmental suffering occurring on a daily basis. There are two major components to the event. The first is the Porter Lecture which brings visiting scholar-activist Derrick Jensen to Pease Auditorium on Thursday March 22nd at 7:30 for a lecture, titled “Civilization and Resistance”, that is open to the public. The second part of the event consists of two full days of participatory workshops and sessions framed by two themes: “Activism and Education: A Celebration at EMU” on March 23rd, and “EcoJustice as Activism” on March 24th. The entire event is being billed as “EcoJustice and Activism” which includes a variety of activities that pull several folks from both the EMU campus and the larger local community to explore how we might all work toward diverse, decentralized, and sustainable communities.

I guess it might just help if I gave you the schedule.

“ECOJUSTICE AND ACTIVISM”

Thursday March 22nd “Civilization and Resistance” – Derrick Jensen 7:30 PM @ Pease Auditorium

Friday March 23rd “Activism and Education” Porter Building @ EMU

9:00 – 9:20 AM – Welcome!

Exhibit Room Opens (This is a place for Tabling and Exhibits as well as an open meeting place where people can suggest an idea and time and schedule meeting space for any time over the course of the second day)

9:30 – 10:50 AM – Workshops

“But I’m Not an Activist” – A workshop run by S.E.P.E. about how to organize, make decisions using consensus, and utilize a campaign to train as social environmental activists.

“The Portal of Possibility and The Sacred Playgrounds” – A workshop run by the Superhero Training Academy that focuses on reclaiming public space to revitalize the commons and create avenues to invite the greater community into their activist work.

“Seedbombs Away!” – A workshop run by local folks and students who garden and make art together that will cover the basics of seed saving, planting seeds, and making and placing “seed bombs.”

11:00 – 12:20 AM – Workshops

“Bikes-EMU” – A workshop run by Bikes-EMU that covers the basics of bike maintenance, rebuilding bikes, and local riding. The workshop will also further develop a plan to distribute bikes throughout the community.

“Eco-Art Attack” – A workshop run by students and local folks who raise a ruckus together that will cover art as a form of direct action and public pedagogy. The workshop will cover some creative ways to spread a political message using mud stenciling and wheat pasting.

“Democratic Education” – A workshop run by local students and teachers who work in alternative education to offer a truly democratic education. The workshop will cover how they run all school meetings as well as use consensus and nonviolent communications as their mediation tools.

“It’s Bigger than Hip-Hop” – A workshop run by students and local folks that will share, create, and imagine possibilities for taking action with the use of words.

12:30 – 1:30 LUNCH BREAK

1:30 – 2:50 – Conversations w/ Local Elders

This session is a conversation where wise elders can address the attendees and advise. Confirmed participants include Malik Yakini, Fabayo Manzira, and Janine Palms.

3:00- 4:30 – Academia and Activism: A Workshop with Derrick Jensen

Derrick Jensen has agreed to stick around after his talk and join in the fun for the day. This workshop, like all the workshops will be open to the public, and will focus on exploring the role of the public intellectual and community activism through an open dialogue.

4:30 – 5:30 – Dinner – EcoEats

A potluck open to the public hosted by G.R.E.E.N. a student organization that has a regular activity they call EcoEats in which they gather locally grown and sourced food ingredients and cook together in the afternoon and then share that food with each other and guests.

5:00 – 7:00 – Climate Action Planning: World Café

This is a visioning session that involves EMU, Michigan Suburbs Alliance, the City of Ypsilanti, to vision as a community and develop a plan to take steps toward living sustainably as a campus.

7:00 – 9:00 – Film – If A Tree Falls

Saturday March 24th – “EcoJustice as Activism” – Porter Building @ EMU

AM Sessions:

9:00 – 12:00 – EcoJustice Education Workshops
Part 1 – Foundational Concepts in EcoJustice Education
Part 2 – Teaching for EcoJustice

PM Sessions:

12:00 – 6:00 PM – Papers, Panel Discussions and Presentations from visiting scholars and activists.

MARK: Sounds pretty ambitious… What was the impetus behind it?

JOHNNY: This year, there was an opportunity in the College of Education to bring a variety of scholar-activists to campus whose work complements, inspires, and challenges current perceptions of the role of the university. Derrick Jensen, was nominated by students and a few faculty as a possible candidate to be invited to be a part of the 2012 Porter Chair Lecture Series. When it was determined that he would be coming, I began to work with students to organize activities that would accompany his visit. As a student and educator at EMU, I wanted a way to organize students to work together to propose a way we might model participatory education. Being concerned with the deep cultural roots of the Industrialized Western culture within which we are living and enacting violence every day, I decided that teaching about this in class wasn’t enough. It was essential that we could, as students, learn situationally in local ways through which we could learn to see the ways in which our thoughts and actions either supported the living local systems or undermined them. The political climate seemed about right for something more than a lecture and so through organizing doctoral, masters, and undergrad students together with supportive faculty and key members of the community we determined it would be amazing to throw a good ole fashioned teach-in and call it a celebration. I would be totally lying if I told you there weren’t other impetuses behind this organizing, but all I can say at this point is that support and inspiration from the Occupy movement and local the formation of a local OY play a huge part in what is to come.

MARK: Can you tell us a little about Jensen, for those of us who aren’t familiar with his work?

JOHNNY: Well, given that the basic gist of the work that Jensen puts out there can be easily found on his website, I won’t go too in depth. Derrick Jensen is a writer with a lot to say about how we are a part of a violently unjust, fundamentally unsustainable culture. From his books to his regular articles in the widely read environmental magazine Orion, he consistently reminds us that we are all too at ease with abusing each other, ourselves, and—most of all—the living systems upon which our existence depends. I think there are a lot of reasons that his work is relevant, but it is important to understand the position from which he is coming from. Jensen (2005), in an interview titled “Bringing Down Civilization” published by No Compromise, states:

“I want to bring down civilization. It’s really clear that civilization is killing the planet. I’m interested in living in a world that has more wild salmon every year than the year before. A world that has more migratory songbirds every year than the year before. A world that has less dioxins and flame retardants in mothers’ breast milk. A world not being destroyed. A world where krill populations aren’t collapsing. A world where there are not dead zones in the oceans. A world not being systematically dismantled. I want to live in a world that is not being killed. I will do whatever it takes to get there.”

So, there is a massive need for educators to closely examine the cultural roots of what Jensen is referring to as “civilization”, and for them to not only recognize the role they play in reproducing a culture that is killing each other and the planet but also to recognize how they can play a critical and ethical role in changing the cultural habits that reinforce relationships shaped by racism, sexism, ableism, and speciesm, to name a few. The point is that these relationships are shaped by habits of mind that are culturally constructed in an understanding of “self” that means to exist is to be fully human—which in the case of the civilization Jensen is referring to, the one many of us all are born into and reproduce on the daily, means to exist as an individual. This idea of self as an individual is incredibly isolating and is a false construction of our biological existence. Derrick Jensen suggests: “If we wish to stop the atrocities, we will need to understand and change the social and economic conditions that cause them” (Jensen, 2004 p. xxi). Jensen (2000), writing about hope beyond the violence of modern human culture, suggests we confront our assumptions about existing as individuals separate from and superior to the greater ecological systems to which we belong. Jensen writes:

It is not possible to recover from atrocity in isolation. It is, in fact, precisely this isolation that induces the atrocities. If we wish to stop the atrocities, we need merely step away from isolation. There is whole world waiting for us, ready to welcome us home It has missed us sorely as we have missed it. And it is time to return.

The point here articulated by Derrick Jensen is that isolation must be understood as illusionary, or as anything but natural, in order for us to engage in relationships that reject authoritarian assumptions about human nature and practice relationships based on mutualism and respect for each other and the living systems to which we belong. Jensen’s work in vivid detail illustrates that how we think and act can be historically traced, as well as critically and ethically examined for how we either support or undermine living systems.

I’m not sure if this is enough, but I will say this: the basic premise for bringing Jensen to EMU through the College of Education is that there is an awful lot of colonizing going on through our schools and by examining this critically and ethically and connecting this examination with action, we can support efforts to decolonize schooling in our communities. The other part is that lately Jensen has been writing with other activists to promote a movement they refer to as “Deep Green Resistance”. This work is more thoroughly explored in the book co-written with activist, small-scale farmers Lierre Keith and Aric McBay titled Deep Green Resistance: Strategy to Save the Planet (2011). Keith describes Deep Green Resistance as a movement inspired by years of Jensen’s question of whether the current culture will undergo a voluntary transformation to a sane and sustainable way of life. Deep Green Resistance is informed activism that moves from ethical inquiry about why things are the way they are, to action aimed at changing the dominant culture. The movement identifies as being one for those who no longer have the patience to wait for change in fear that the planet will be destroyed beyond repair if action is not taken immediately.

MARK: How actively engaged were EMU students in the planning of the event? And what’s the response been on campus?

JOHNNY: Students have been responding with great excitement and interest. The days of seeing activism as a social stigma, or as some unnecessary hobby that people take up for selfish reasons may still linger among some students, but the overall response has been more supportive than I could have ever imagined. Students are tired of wasting money going to school to be bored and fed useless information toward a so-called career that just isn’t going to be around for them. There seems to be a general agreement that “schooling” from early childhood through college needs to be decolonized. As conversations to organize in response to the growing dissatisfaction with schooling, especially with teacher education, became both more frequent and intense it just seemed logical that the next step was to do something.

Yes, students have been and are involved in each and every step of the organizing, the planning, and the actual day itself. The key here is that students are not only participants but they are the leaders. Mainly students like Erica Mooney and the young-bloods in G.R.E.E.N and S.E.P.E. working together with masters and doctoral students in the Educational Studies Urban Education program. Certainly faculty are partnering but not as the leaders. Students get to call the shots and grow into what it feels like and requires doing this sort of work. So that means both making mistakes and an unleashing of an amazing creative energy that seems to emanate from the students.

In short, the idea here is that while many of these sorts of events take place in the community all the time, (Ann Arbor Free Skool and Reskilling Festivals to name a few) they are not exactly happening in ways that connect students to those experiences as a part of their college education. Really what is means to go to college is in question these days and rightfully so. This event is to pay respect to those in the community who for a long time have been working and providing these types of experiences for local folks, but what is far overdue is for future teachers who are in school being femtored and mentored as educators, and not programmed to be drones or prison guards in what we currently call schools, to identify as agents of change and as critical members of the local community. Hopefully being a part of an event like this will help connect students with the community and connect students, faculty, and community members with the local activists so that we may strengthen the networks of solidarity and transition toward a sustainable Ypsilanti.

MARK: I know it probably makes me an asshole, but, generally speaking, I find myself thinking poorly of young people today. It’s good to be reminded that, in spite of whatever trends may be playing out at a high level, there are good, young people who are willing to engage with the wider community and fight for what’s right. Speaking of those larger trends, in case you didn’t catch it, there was a study that came out yesterday, drawing on survey work done over the past several decades by researchers at the University of Michigan and UCLA. Here’s a clip from an article about the study that just ran in USA Today:

The debate over today’s Millennial generation — altruistic and civic-minded or materialistic and self-absorbed? — seems to never end. In the latest installment: a study that says the popular view of young adults as more caring, interested in social issues and concerned about the environment compared to previous generations is mostly false.

Published online in the Journal of Personality and Social Psychology, the study finds Millennials (born 1982-2000) more civically and politically disengaged, more focused on materialistic values, and less concerned about helping the larger community than were GenX (born 1962-1981) and Baby Boomers (born 1946 to about 1961) at the same ages.

It does find “some good trends,” such as a rise in volunteering and a decline in prejudice based on race, gender, and sexual orientation — the result of more individualism, says Jean Twenge, professor of psychology at San Diego State University, one of the study’s authors.

But even the good news about volunteering comes with a caveat: “it has this outside force working on it —school requirements,” says Twenge, author of the 2007 book, Generation Me: Why Today’s Young Americans Are More Confident, Assertive, Entitled–and More Miserable Than Ever Before.

While “there are certainly individual exceptions” to this image of young adults, she says, “overall, the pattern is pretty clear.The trend is more of an emphasis on extrinsic values such as money, fame, and image, and less emphasis on intrinsic values such as self-acceptance, group affiliation and community”…

In the freshman survey, the proportion of students who said being wealthy was very important to them increased from 45% for Baby Boomers (surveyed between 1966 and 1978) to 70% for Gen X and 75% for Millennials. The percentage who said it was important to keep up to date with political affairs fell, from 50% for Boomers to 39% for Gen X and 35% for Millennials…

I realize that students today are facing a different economic reality upon graduation, and that may be influencing their behavior/views, and I try, as best that I can, to give them the benefit of the doubt, but it just seems to me that they should be in the streets, demanding change, like young people were in the 80’s, over issues like nuclear proliferation and our government’s support of South African apartheid. I guess my question to you, as an educator, is how do we overcome apathy and fear, and both empower and motivate young people to break with this trend, and start to fight for change.

JOHNNY: So you are a man of my own heart, because I could – and would totally love to — talk about this all day and night. The important thing that stands out from this question is that there has always been and there will always be dissent. This is true for all of history, we just don’t always share or pass on these stories. I find that the study reminds us that “individualism” – the deeply rooted notion that we are separate and superior to everyone and everything else — combines with “rationalism” – a specific line of thinking emerging from the Enlightenment era, combined with today’s hyper-consumer “capitalism” has come to dominate not only how we understand each other, but how we relate to everything in the world. The good news is that we are being confronted with it in ways that cannot be ignored. The bad news is that this is not a new problem. It has been the root of the problems you protested in the 80s and our comrades protested in 60s and 70s. So a huge part of this endeavor is to reconnect with the idea that human nature is being defined for us in very limiting ways. As humans we have the capacity to act in extreme self-interest as well as the capacity to act in efforts of mutual aid. So, in other words, we are not simply caring and compassionate or vicious and violent creatures. We are complex beings with the capacity to be agents of change in a world that has us thinking that we are either competitors or we are mutual partners. So, as an educator, I try each day to work to provide opportunities, or experiences, to address the potential in all of us to live in ways that support diverse, decentralized, and sustainable relationships. Basically, an alternative to forcing children or young adults to work in the community in ways that reinforce the idea that without authority we could not care for each other or for the environment that simply reproduces the fear and apathy. I mean the consequences are not a secret. People understand that we are hurting each other, the oceans, and the land. What often becomes the solution to the desire to change is to force people to change. This approach, sometimes painfully referred to as service learning, is contributing to the feeling that our youth are just not interested or they are disengaged. However, I have found the exact opposite to be true. When the authoritarian approach is not taken with youth and they are empowered through experiences in which they can explore creativity, imagination, and alternative histories and understandings of their existence and the place in which they dwell with guidance from elders and non-authority hungry educators, they grow to recognize, respect, and represent something very different than what we often assume of them. Now, I don’t want that to sound too romantic. Our youth are exposed to insane amounts of advertisements and messages that tell them they need to look out for number one, and that the only thing that matters is money and that they need to fight to secure lots of it—for themselves. However, this myth is sadly coming to an end and lots of suffering is witnessed on a day-to-day basis. Youth, in growing numbers, are asking why. If educators resist staying the course that has us inundating our youth with information that is not relevant to the world we are experiencing, or that our children’s children will live in, then the questions become: What do we do? and When is enough, enough? I don’t have these answers, but I have a steadfast belief that if we connect with each other and ask each other what it is that future generations will say about us, we can begin to act locally in diverse ways around valuing and understanding how to think and act according to concepts like diversity, reciprocity, mutual aid, and sustainability then we have the opportunity to shift this culture out of a very destructive era of humanity. So while I am not completely certain it will come without a fight, I would like to think that by reframing the way we work with youth and empowering them through connecting collaboratively to a diversity of local histories and lived experiences in connection with the responsibility to belong to, protect, and contribute to a healthy community we can bring about a massive change. A change that doesn’t look the same everywhere but a change that sees power shifted from centralized authorities to the local – the land, the animals, the people, and the future generations of the living system.

[A heartfelt plea from Mark Maynard: If you haven’t already, there’s still time to click here and vote to send me to this year’s Netroots Nation conference.]

Posted in Education, Environment, Ypsilanti | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | 11 Comments

The President can’t affect gas prices, but can gas prices affect the Presidential election?

With the laughable slate of moronic theocrats, disgraced demagogues, corporate villains, and states-rights racists that the Republican party has put forward to run against Obama, I’d say that, barring some epic scandal, Obama is guaranteed a second term… that is, if the price of gas doesn’t exceed $4.50 a gallon. I’ve read Nate Silver’s analysis, and I believe him when he says that there isn’t necessarily a direct correlation between gas prices and approval ratings, but I can’t help but think that the whole 2012 election could come down to the price at the pump. And, given what we’re hearing from the talking heads at Fox News and the Republican candidates, the dark forces amassing on the right clearly feel as though they’ve found Obama’s Achilles’ heel.

By now, you’ve no doubt heard that Newt Gingrich is promising, if elected, to bring down the price of gas to $2.50 a gallon. It’s complete fantasy, of course, but there’s some percentage of our criminally uninformed electorate that will buy into the ridiculous notion that our President somehow has control over such things. And it’s not just the difference between $2.50 and $4.00 that we’re talking about, either. You see, according to Gingrich, Obama has plans to move the price of gas to $10 a gallon. Here’s what Newt had to say a few days ago: “I’m happy to say the Gingrich plan moves you towards $2.50 or less. The Obama plans moves you towards $9 or $10 or more.”

As columnist Fareed Zakaria correctly notes, it’s “pure political pandering.” Here, with more on that, is a clip from Zakaria’s blog, followed by video of him on Anderson Cooper’s show yesterday, debating the matter with Stephen Moore, senior economics writer for the Wall Street Journal.

…The world consumes about 80 million barrels of oil a day. The total U.S. increase in production, if you were to do everything that Newt Gingrich fantasizes about, would be less than half a percent of that. So the chance that it would have any impact on the price of oil, particularly in the short run, is pure fantasy. Newt surely knows better.

The truth of the matter is that we are in the middle of a great boom in domestic oil production. We are at the highest levels in 30 years. The United States for the first time is actually exporting oil rather than importing oil, and it has made no difference to our prices. In fact, as we can see, oil prices have gone up. Why? Because, (A) China is growing, India is growing, etc. and (B) people are worried about a possible war with Iran – geopolitical concerns. So these are not things that you can easily fix. You’re not going to get China to slow down. You are not going to change the fact that there are genuine concerns about Iran. Increasing American domestic production is such a marginal issue at this point that it’s really totally irresponsible for Newt Gingrich to be saying this…

And, to his credit, the President has come out swinging. Obama not only explained the situation this morning, in his weekly address, but called for Congress to end nearly $4 billion in annual subsidies to big oil, saying, “We’re going to put every single Member of Congress on record: They can either stand up for oil companies, or they can stand up for the American people.” I’d argue that he should have done that upon taking office, but better late than never… Of course, this could just be a warning shot across their bow, meant to encourage them to keep the prices at the pump low until after the election… At any rate, here’s what Obama had to say.

Hi, everybody. As I’m sure you’ve noticed over the past few weeks, the price at your local pump has been going up and up. And because it’s an election year, so has the temperature of our political rhetoric.

What matters most to me right now is the impact that rising prices have on you. When you’ve got to spend more on gas, you’ve got less to spend on everything else. It makes things harder. So I wanted to take a minute this weekend to explain what steps my Administration is taking when it comes to energy – most importantly, producing more of it while using less of it.

The truth is: the price of gas depends on a lot of factors that are often beyond our control. Unrest in the Middle East can tighten global oil supply. Growing nations like China or India adding cars to the road increases demand. But one thing we should control is fraud and manipulation that can cause prices to spike even further.

For years, traders at financial firms were able to game the energy markets, distort the price of oil, and make big profits for themselves at your expense. And they were able to do all that because of major gaps and loopholes in our regulations. When I took office, we did something about it.

The Wall Street reforms I signed into law are helping bring energy markets out of the shadows and under real oversight. They’re strengthening our ability to go after fraud and to prevent traders from manipulating the market. So it’s not just wrong, but dangerous that some in Congress want to roll back those protections and return to the days when companies like Enron could avoid regulation and reap enormous profits, no matter who it hurt.

What’s more, at a time when big oil companies are making more money than ever before, we’re still giving them $4 billion of your tax dollars in subsidies every year. Your member of Congress should be fighting for you. Not for big financial firms. Not for big oil companies.

In the next few weeks, I expect Congress to vote on ending these subsidies. And when they do, we’re going to put every single Member of Congress on record: They can either stand up for oil companies, or they can stand up for the American people. They can either place their bets on a fossil fuel from the last century, or they can place their bets on America’s future. So make your voice heard. Send your representative an email. Give them a call. Tell them to stand with you.

And tell them to be honest with you. It’s easy to promise a quick fix when it comes to gas prices. There just isn’t one. Anyone who tells you otherwise – any career politician who promises some three-point plan for two-dollar gas – they’re not looking for a solution. They’re just looking for your vote.

If we’re truly going to make sure we’re not at the mercy of spikes in gas prices every year, the answer isn’t just to drill more – because we’re already drilling more. Under my Administration, we’re producing more oil here at home than at any time in the last eight years, that’s a fact. We’ve quadrupled the number of operating oil rigs to a record high, that’s a fact. And we’ve opened millions of acres on land and offshore to develop more of our domestic resources.

Those are the facts. But we can’t just rely on drilling. Not when we use more than 20 percent of the world’s oil, but still only have 2 percent of the world’s known oil reserves. If we don’t develop other sources of energy, and the technology to use less energy, we’ll continue to be dependent on foreign countries for our energy needs. That’s why we’re pursuing an all-of-the-above strategy. As we develop more oil and gas, we’re also developing wind and solar power; biofuels, and next-generation vehicles – and thousands of Americans have jobs right now because of it. We need to keep making those investments – because I don’t want to see those jobs go to other countries. I want to create even more of them right here in America.

And after three decades of inaction, we raised fuel economy standards so that by the middle of the next decade, our cars will average nearly 55 miles per gallon. That’s nearly double what they get today. That means you’ll only have to fill up every two weeks instead of every week. And that will save the typical family more than $8,000 over the life of the car – just by using less gas.

Combined, these steps have helped put us on a path to greater energy independence. Since I took office, America’s dependence on foreign oil has gone down every single year. In 2010, for the first time in 13 years, less than half the oil we used came from foreign countries.

We can do even better. And we will. But what we can’t do is keep being dependent on other countries for our energy needs. In America we control our own destiny. So that’s the choice we face – the past, or the future. And America is what it is today because we have always placed our bets on the future. Thanks, and have a great weekend.

Posted in energy, Politics, Uncategorized | Tagged , , , , , , , , , , , , , , , , , , | 12 Comments

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