Last night, I told you about a place near Mt. St. Helens called Ape Canyon, where, in 1924, a small group of gold miners claim to have been set upon by a band of fierce, boulder-hurling bigfoot. Well, this afternoon, while being shown around a very cool Portland video store called Movie Madness, which, among other things, is home to famous film props like the over-sized, hair-covered ear found by Kyle MacLachlan in Blue Velvet, and the wooden prop knife used by Anthony Perkins to kill Janet Leigh in Psycho, a friend drew my attention to a film called… of all things… Ape Canyon. This may not, in and of itself, be all that surprising, if not for the fact that it was located behind the red swinging doors of — the “adult” section.
As distasteful as this may be to some of you, it would appear that, hidden somewhere beneath the world that you and I both dwell in, there exists a subculture of “bigfoot rape” fiction enthusiasts. At least that’s the sense that I get having just read an interview conducted by Jim Goad with the film’s director, Jon Olsen. At any rate, as we just discussed Ape Canyon last night, I felt compelled to mention it. For the record, though, I’m not suggesting that anyone either watch or purchase this film. I realize that it might be difficult to convey consensual bigfoot relations on film, but I have to draw the line somewhere, and I choose to draw it at rapetainment.
Here’s a clip from Jim Goad’s interview with the man behind the film, which goes into a little detail on the history of the genre:
JIM GOAD: Is it fair to say that Ape Canyon, if not the world’s first Bigfoot-rape movie, is probably the world’s first Bigfoot-rape comedy?
JON OLSEN: Definitely the first comedy, as far as I know, but not the first Bigfoot-rape movie. I have a bootleg copy of a movie called The Geek that a friend gave me after Ape Canyon was made. It’s something else. The stoned nitwit playing Bigfoot can’t get it up when he gets his chance to wax pale, human asses. He spends most of his precious humping time yanking his little wang in a vain attempt to get it stiff. All he succeeds in doing is smearing black shoe polish (used to give him a more Sasquatchy complexion) all over his dick and all over the woman’s vagina. As it is, the woman falls asleep with her bare ass jutting up in the air, waiting for forcible ape-entry that never comes.
And this is ironic, since it would have been impossible to tell if he was actually penetrating her or not—you wouldn’t be able to tell with that fur coat in the way.
Another notable Bigfoot-rape movie—probably the one that supplied the bulk of inspiration for Ape Canyon—is Night of the Demon. There’s this inbred girl who’s constantly being beaten and raped by her daddy, until Bigfoot lumbers out of the woods, kills daddy and rapes her but good. Then she has a stillborn Bigfoot-hybrid baby. In another scene, Bigfoot grabs a guy in a sleeping bag, twirls him around his head, and tosses him through the air, impaling him on a twig. I more or less ripped that scene off in my movie, but I feel the Ape Canyon version is an improvement on the original. By far the most memorable scene is one in which a motorcyclist stops to take a piss by the side of a lonely road. Bigfoot’s hand lunges out of the bushes and rips the man’s penis off! The poor guy moans in despair and drapes himself over his bike, bleeding to death on screen for a full ten minutes…