Obscure recordings, eating the leftovers of others, and sex ed puppetry for kids… on the Saturday Six Pack with Mark Maynard

On our very first show, a young boy called in from Ann Arbor to proclaim, somewhat inexplicably, “I have no regrets.” Well, unlike him, I do have regrets. This week, mistakes were made. I won’t list them here, as doing so would be both painful and tedious, but I did want to acknowledge that lessons were learned during the most recent episode of The Saturday Six Pack with Mark Maynard, and assure you that changes will be made as a result. Most notably, I’ve come to accept that there’s an inverse relationship between the amount of beer that I consume during the course of the show and the ultimate quality of said show. Surprisingly, it took four episodes for this to become evident, which I guess is a good thing… Yes, from now on, I pledge to do a better job of sharing my beer. That won’t solve everything, but I think it’ll put us on more stable footing going forward. Also, we’ll make sure to play records at the correct speed in the future, and I’ll try to keep my prerecorded bits shorter. Oh, and I’ll make sure to have more women in the mix, beginning with next week’s Valentine’s Day show. There are other things too, but that’s a much as I want to get into right now… Here, if you’d like to listen to the most recent episode of the show, as it was broadcast over AM 1700 last night, is the whole thing on Soundcloud. If you’d like, you can also download the podcast from the Apple iTunes store.

Based on how I started the post, I suspect you probably think the whole thing was just a chaotic mess, and that’s not the case at all. There was a lot to like about this week’s show, starting with the interview I did with local artist Jason Wright… Here’s Jason, telling us about his role in putting out the incredibly rare, very much sought-after first EP by Shortwave Mystery in 1985. [All photos courtesy Kate de Fuccio]

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The interview with Jason starts right at the beginning of the show, just after our new intro song, and runs until the 54-minute mark. (The new intro song, by the way, was written by Linette’s cousin, Andy Wong. And I think it’s beautiful.) While Jason and I do talk a bit about public art and the beauty of community radio, for the most part, we discuss his memories of young adulthood as they related to Shortwave Mystery, an early American response to the electronic music of the European avant-garde. We heard about Jason’s old friend Greg Scoggin, who had composed the whole thing while sharing a bedroom with him in Isla Vista, California just after high school. We discussed how the record came about, and how it was that Jason came to be dressed as a cowboy in the photo on the album cover, and in the “band” that would occasionally stand on stage, pretending to perform, as the recorded tracks played.

If you’re at all interested in the origins of electronic music in the United States, or just find yourself a little curious as to what kids were doing with synthesizers and early sampling technology in small town America in the early ’80s, I’d encourage you to check it out… Here’s the record, which is known to sell for as much as $1,000 at auction. (We listened to one side of the EP at the 29-minute mark. And, at the 47-minute mark, we listen to a more recent song released by Greg, who, unfortunately, passed away just recently in California as a result of a motorcycle crash.)

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[This is the most valuable record, I’m sure, to ever play on the AM 1700 turntable.]

And, we followed that with a taped discussion with Peter Larson about the image that he’d sent in from Kenya of my face on a poster in Nairobi. It’s a long, rambling call, but I’m glad that we kept going, as it ended somewhere really interesting… with the idea that Pete could release one last album on Bulb Records – a compilation of Bulb covers performed by Kenyan musicians. (The thought of Prehensile Monkeytailed Skink, Couch, Andrew W.K. and Quintron covered by folks like The Refuse Stealing Kukana Kuba Band, makes me absolutely giddy with excitement.)

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At 1:16, David Anthony, a comedian from Arkansas, drops by the studio with his twin brother. To my knowledge, this is the fist instance the word “twincest” was used in Ypsilanti.

At 1:25, the Hungry Collectors (Cre Fuller and Chris Sandon) came in to bid on people’s leftovers. Three people came in with leftovers to be bid on. Here’s Cre haggling over a piece of Dos Hermanos taco brought in by Marty Flint.

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At 1:54, we played Pete Larson’s most recent song from Kenya. (He’s sent us a new song every week since our second episode.) Here’s the song, in case you missed it.

At 1:57, Patrick Elkins comes in the perform his new shadow puppet show, “Escape from the Return of the Curse from the Night of Disappearing Pants,” in the window of the studio facing Pearl Street. Patrick said his intent, through this piece, was to demonstrate to the young people of Ypsilanti that, “love making is both science and art.” And I think, judging from the faces of the people outside the studio, that he succeeded. (If I’m not mistaken, this was the first instance in human history of shadow puppetry broadcast over AM.)

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At 2:10, we discussed the future of the show as things descended into madness.

Oh, and this week’s six pack was New Belgium Rampant.

Stay tuned for details on next weekend’s special Valentine’s Day show.

Posted in Art and Culture, The Saturday Six Pack, Uncategorized, Ypsilanti Courier | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , | 31 Comments

On the upcoming “Saturday Six Pack with Mark Maynard”…. episode four preview

I won’t bore you with the background. Now that we’re about a month in, I suppose most of you know that I’ve got a Saturday evening radio program on Ypsilanti’s AM 1700, during which I invite people into the studio to share a six pack with me, and take calls from strangers, right? Well, if not… if this is something that’s completely new to you… head over to iTunes and invest a few hours in listening through The Saturday Six Pack with Mark Maynard archive and getting caught up. Otherwise, just keep reading for a preview of the upcoming show, which promises to be pretty terrific.

We’ll be starting the evening by talking with my friend Jason Wright. Jason, in the early ’80s, when he was just a kid, was in a band called Shortwave Mystery… a band that I’ve heard about for years but never actually heard. Well, come Saturday night at 6:00, we’ll be playing a few tracks from their highly sought after EP “Pilots,” and hearing about the formation of the band, which has been credited as being one of the first American responses to the likes of Joy Division and Cabaret Voltaire. (Copies of their record are known to sell for over $1,000 a piece when they go up for sale.) So, if you’d like to hear a little music history from a local Ypsilantian who was actually there, or if you’re just curious as to what the synth-driven electronic music of rural teenagers in Central California sounded like in ’83, I’d encourage you to tune in… Here’s what they looked like at the time, by the way.

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Then we’ll call our old friend Pete Larson in Kenya, where he claims to have taken the following photo this morning. As of right now, I only have a cryptic note from Pete explaining the existence of the poster, but I’m sure we can get to the bottom of it… “It’s not you,” he says. “There’s another Mark Maynard here, a spiritual leader, who has a radio show on African AM.”

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By then it should be about 7:00, and we’ll be joined by Brigid Mooney, who will be bringing in yet another one of her “shy comedian” friends to talk with us about the burden of being funny.

This will be followed by a continuation of last week’s discussion on the purchasing and consumption of leftovers.

If you listened to last week’s episode of The Saturday Six Pack with Mark Maynard, you heard Ypsilanti artist Cre Fuller solicit people to come into the studio with their leftovers and allow him to bid on them. Well, the pilot episode of the segment, which Cre calls The Hungry Collector, actually worked. Miraculously, two people in the listening audience just happened to be in their homes with recent leftovers handy, and they made their way down to the AM 1700 studio. And Cre, by the end of the segment, was able to purchase about 16 ounces of potato leek soup with homemade Tasso ham for $5. It was a lovely thing to experience, and, if everything goes well, we’d like to try it again this week, in the 7:00 hour of the Six Pack, this Saturday. But, this time, as I understand it, there will be a twist. Cre will no longer be the only bidder. That’s right, there will be two collectors looking to ingest your leftovers, so you’ll have twice the opportunity to make money. All you have to do is drop by the AM 1700 studios at around 7:00 PM this Saturday with your dogie bag from Red Rock, Bona Sera, Beezy’s, Haab’s, The Wurst Bar, or wherever, and we’ll get you on the air to make your pitch, whether it be for a pile of cold, half-eaten french fries or the last few succulent bits of pork still clinging to a bone. “Can you start a bidding war with a potato skin?” You never know. This could be your big chance to strike it rich.

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And, then, once it’s good and dark, Patrick Elkins will be presenting a shadow puppet show on human sexuality to the people outside the AM 1700 studio, which I will be helping him to narrate over the air. (To our knowledge, this will be the first AM broadcast of shadow puppetry ever!) So, if you’ve been putting off the talk with your kids about where babies come from, now’s your chance. Bring you kids to the intersection of North Washington and Pearl at about 7:30 PM on Saturday night, and watch as Patrick opens their minds to beauty of conception and majesty of childbirth.

And then, of course, we’ll just talk about random nonsense until the six pack is gone, as is our tradion.

Oh, and we’ll be taking calls throughout the evening. So, if you have something that you’d like to say, just call 734.217.8624 and we’ll try to get you on the air.

And, if you don’t live 17 feet or less from the studio, as we’ve discussed before, you’ll want to stream the show online, which you can do either on the AM1700 website or by way of TuneIn.com.

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Click here for this week’s Facebook event page, where you can see who else in the community will be listening, invite your friends, etc. (As of right now, we have 30 confirmed listeners, so we still have a few milliwatts to spare. Reserve yours now.)

And remember to call me between 6:00 and 8:00 on Saturday evening at 734.217.8624… Don’t make me call you.

Posted in Art and Culture, Special Projects, The Saturday Six Pack, Ypsilanti | Tagged , , , , , , , , , , , , , | 5 Comments

The Spinning Dot Theatre presents The Cat Who Ran this Friday in Ypsilanti

[The following post was written by Linette Lao, who, after a dozen years of watching Mark blog alone, has finally decided to experience the joy of blogging for herself.]

As a parent, I’ve been to quite a few children’s theater productions, and what I love most is watching kids watch. Their delight is so direct, vivid and palpable. I’m always glad to attend a show for kids — and that says it all — mostly I am attending for my kids. I’m fine with that: I don’t assume our interests will overlap. I’m grateful arts experiences for kids exist at all…

But last September, I saw Spinning Dot Theatre’s performance of The Cat Who Ran at EMU. I found myself transfixed. I was absorbed, hoping Arlo would be able to hold himself together (in a 2 year old way) long enough for us to make it until the end. He could. There was lots for him, and there was lots for me. I was taken aback by my love of it. I was so glad it existed.

I’m telling you all of this because Spinning Dot Theatre will bring Cat Who Ran to the FLY Creativity Lab this Friday, February 6, at 6:00 PM, and I think you should come. Bring a kid you know, or don’t. I think you will enjoy the experience.

I asked Jenny Anne Koppera, the founder of Spinning Dot, and winner of the 2014 Ann Shaw award, a few questions over email.

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LINETTE: Jenny, I’m wondering how you came across The Cat Who Ran in the first place. I think that you said it had only been performed in the US one time before. How did you know it would be the right play to be Spinning Dot Theatre’s first production?

JENNY: In 2011, I was one of 6 global interns at the ASSITEJ World Congress (A large Children’s Theatre Conference) in Copenhagen, Denmark. I started my work their as an assistant to Kim Peter Kovac from the Kennedy Center who works extensively with international playwrights. It was through Kim Peter Kovac that I was introduced to the piece and then included an excerpt of the play in the first annual Global Play Project at EMU that I worked to create upon returning from the World Congress. Spinning Dot is actually the first professional company to perform The Cat Who Ran in the US. I loved the movement of the piece and the epic nature of their friendship. Few plays move me emotionally like this piece. I also love the arc of how this piece works for US audiences and their expectations for children’s theatre. It feels familiar at the opening and then moves us into more uncharted territory.

LINETTE: The staging (am I using the right word?) is pretty magical, and I love that it relies on ordinary elements like light and water and air. It seems so modern and minimal — and yet really evocative, really rich and juicy. What were your ideas behind the material language of the play?

JENNY: I had the amazing gift of working over 9 months with some amazing theatre collaborators on the piece – Kelly, Big Fire and Darius. Our explorations really cultivated the look and feel of the play together. We wanted to rely heavily on the imagination of our audience as well as incorporate elements of child’s play into the piece. As we experimented with paper, water and light, we knew we were onto something that felt right for this production. Our vision then became governed by these experiments and grew into the piece we have today. As director, I merely decided which of the explorations to weave into a world that would seem cohesive and evocative.

LINETTE: The play is joyful and a real pleasure; it is also rich and emotionally complex. Without giving anything away, as you know, I wept through an entire act of the play. And it wasn’t just me, my friend did too. And our kids did not. I found it so interesting how the story connected with me in ways that flow under or over the radar of kids in the audience. That might make it sound manipulative and I want to be clear it isn’t: it is about resonance I think. Ordinary adult life experiences provide this lens for adults to see the play through that is different than what a kid might understand. But there is real balance there. I’ve been thinking about this play all fall and wondering, How did that happen? I didn’t know that could happen. So that is my question to you, how does this happen?

JENNY: I think it stems from really well crafted plays created for family audiences and then is grown by directors, actors, etc. who believe in creating rich, deep and perhaps challenging work for young/family audiences. Good art speaks on many levels and holds many strands of meaning. This is why we return to our favorite books or films throughout our lives – because they continue to speak to where we are. I feel like there are beautiful pieces – maybe like Pixar movies – like Nemo, or maybe elements of Winnie the Pooh – who hold these same strands of meaning. Rich work that really speaks to family or multigenerational audiences is elusive in the US in theatre. For some reason theatre for young audiences in the US can be quite flat artistically when really family audiences are the most imaginative and potentially dynamic audiences out there! So it’s about finding plays and artists who believe that wide, creative work for these audiences matter – which is why I created Spinning Dot. Because I want to do this type of work! Does that answer your question?

LINETTE: Will you tell us about the kids you are working with? As I understand it, they’ll also be presenting something of their own on Friday, right?

JENNY: Yes, they’ll be performing their Junkanoo! The Junkanoo is our first Spinning Dot Theatre Youth Company performance. It’s a piece that was inspired by global festivals, folktales, puppets and guest artists that has been woven together by the youth company themselves! They’ve collaborated to mix the folktales into new meaning, written the script and the music, created the puppets, etc. The Junkanoo combines music, theatre and puppetry to bring these global tales to life! And we’ll close the piece with a talkback with the youth themselves so they can share with you their thoughts on what they’ve created and what it means to be a part of the Spinning Dot Youth Company!

[The Cat Who Ran, as well as a special preview of The Spinning Dot Theatre’s Junkanoo, will begin at 6:00 PM tomorrow evening (Friday, February 6) at 40 North Huron Street in Ypsilanti. Tickets are “Pay What You Can.” Other details can be found on the event poster.]

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Ypsi’s newest startup, Hyperion Coffee, wants to do more than just roast the best coffee in the world

At some point in the next six weeks or so, a new business will be opening in Depot Town, a coffee roastery by the name of Hyperion. It’s the brainchild of Eric Mullins and Dan Kubera, both of whom were, until recently, employees of Ypsilanti’s Ugly Mug. Here, with more, is the transcript of a recent conversation I had with Eric, Dan, and their partner Alex Merz.

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MARK: I’m curious as to how long the two of you, Dan and Eric, have been in the coffee business. Was it something that you’d already been involved in before joining the Ugly Mug, or is that where all of this really started for you?

DAN: I’ve been working in coffee for around five years. I started out working as a barista in Ann Arbor. I was at Babo, and I eventually managed the coffee program there. After that, I began working at the Ugly Mug with the intention of gaining as much knowledge as I possibly could from people like Eric and Ramiro (Miro Lomelli). When Eric left the Ugly Mug, I then took over his role as general manager.

ERIC: I‘ve been in the coffee industry for about ten years, working for about a dozen different cafes, coffee roasters, and coffee-related ventures, with the most recent being Commonwealth in Birmingham. But I’ve also worked with the likes of Anodyne Coffee Roasters out of Milwaukee, Madcap and Direct Trade Coffee Club out of Grand Rapids, and Zingerman’s and the Ugly Mug locally. The Ugly Mug has played a big part in my development as a coffee professional and I owe a lot to the employees who have worked there throughout the years. They have always been the heart and soul of the place… They’re only thing, in my opinion, that has made that place survive until now.

MARK: How about you, Alex? What brought you to Hyperion?

ALEX: My road is a lot different than these guys – but, for what it’s worth, I was actually at the opening of the Ugly Mug way back in September, 2004, and I’ve been a regular there ever since. I spent a lot of time since working in a variety of different businesses, both large and small – most recently Amazon in Seattle and Google in Ann Arbor. But I was born and raised right here in Ypsi, and it’s great being able to do some really cool stuff in my home town.

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[ABOVE PHOTO: Eric top left, Dan top right, and Alex doing the kneeling fist-to-the-chin in Hyperion’s new Depot Town space.]

MARK: I know very little about the business side of things when it comes to roasting. Clearly there are some pretty successful local players, like Mighty Good, RoosRoast, Ugly Mug and others, who are each kind of attacking the market in a different way. Mighty Good has two retail operations and a few distribution deals with regional grocers. RoosRoast has a cafe that’s a little more off the beaten path, but also sells at the Ann Arbor Farmers’ Market, and through a number of restaurants and grocery stores. And Ugly Mug always seems to be trying new things, like their recent partnerships with Ghostly, which I suspect you, Dand and Eric, were involved with. I’m curious as to where you see Hyperion fitting into this local ecosystem?

ALEX: One of the amazing things about the coffee business is the fact that there’s so much room to grow, and a lot of different models for how to be successful. All of the coffee companies you mention are quite successful in their own ways. And, if you look further afield, there are other companies like Counter Culture, Blue Bottle and Stumptown, that have been incredibly successful going about the business of roasting in different ways. One thing that Eric and Dan did a phenomenal job of at the Ugly Mug was developing their partnerships, like the one you mention with Ghostly. They also did some incredible work with regard to sourcing. They went directly to farmers, spent time in their homes, and learned exactly what was going on there. And we’re replicating a lot of that at Hyperion. In fact, Dan is actually in Uganda right now doing a lot of that work. What we will bring to the community which is different, I think, is a lot of the education, outreach and feedback. We will focus on educating our clients and bringing the caliber up a notch. We want to ensure that they know about the coffee that they’re serving in their restaurants and selling in their stores. We will also be hosting labs and gatherings, so anyone who wants to get serious about coffee can come in and learn about it. And we’ll have frequent preparation videos. Also, thanks to my connections in the tech business, I’ve been working on some things which we think are pretty special. Stay tuned for those.

DAN: I don’t really want to get into comparisons, but I think our sourcing program and our coffee quality is going to be what will set us apart in the local market… along with the training lab and community involvement.

ERIC: Without reiterating too much, and comparing too much to others in the area (which I feel is inevitable), I really do think that our level of knowledge, empathy and pride in what we are doing, and our community, will be enough for us to accomplish our goal, which is to connect the stories of the farmers with the locals here in the A2/Ypsi area.

MARK: I’ve heard people speculate in the past that coffee could follow the same trajectory as craft beer, saying that, while there are certainly some big, successful independent roasters, like Intelligentsia, Four Barrel and Blue Bottle, there’s still a lot of flux, and room for new players, as the market is still expanding, and since no one really “owns” the space. Would you agree that the there’s still quite a bit of room for growth, and that we’ve yet to hit the ceiling?

ALEX: It’s interesting that you bring this up. It’s one of those things where people like to try and find a parallel product and say, “Oh, coffee is kind of like beer, so that trajectory and outcome must be really similar.” I actually kinda view the market a bit differently. First, I think coffee is more akin to the wine industry than the beer industry, because it’s based in a single ingredient crop and therefore the flavor profiles are influenced more by nature than with beer. Coffee, therefore, is likely to be a lot more scattered than beer, because the expertise and care necessary to get a bean to a cup intact has a lot of variables where something could go wrong. Second, the industry is still changing relatively quickly. Unlike the alcohol-based industries, we’ve only got two decades of knowledge when it comes to specialty markets and the skills necessary to do it right. It wasn’t long ago that people were talking about origin regions, let alone countries, and now we’ve started talking about terroir, varietals, elevation, and shade cover in a way that wasn’t even conceived of five years ago. So I think the definition of what the industry is is still largely in flux, and there is still a LOT of room to grow, both size-wise (aka, with revenue) and skills wise (aka, with looking at new ways to explore coffee and new ways to connect to the community with it).

ERIC: There are a lot of big players in the beer and coffee game. We’re all playing with the same product essentially, but the gap that separates what we are trying to accomplish, and what the majority of other roasters are trying to accomplish, is akin to Sidetrack being concerned that the McDonalds down the road is going to be infringing on their burger business or something to that extent. Honestly, Intelligentsia is on the level of a really big brewery, and our goals are more on the level of just trying to fill a need in our community that isn’t currently being taken care of. People have been having conversations with me for years now about wanting more from local business, a ‘buy-in’ for instance from places like Growing Hope and First Fridays, where the community really wanted them, and has kept them around. All they have now for coffee is places that exist to make the profit off of the community and not really a community-grown project that exists to connect our area with others around the world.

V__361DMARK: A few years ago, I interviewed Miro “Ramiro” Lomelli, who left the Ugly Mug to go to Chicago and help launch Gaslight Coffee. I know it must be difficult for the owners of the Mug to lose good people, but it has to be kind of cool knowing that they’re turning out so many good people who are going out and doing good things in the industry, right? [RIGHT: Dan preparing to leave for Uganda]

ERIC: Ramiro has been my best friend now since the summer before 10th grade, and I don’t know of a better coffee professional that has come out of the Ypsi-Arbor area, but I really wouldn’t credit the owners of the Ugly Mug with that. I have always felt that the magic of the Mug as a place comes from the great employees there knowing that they have a place where they can brew good coffee.

ALEX: That being said, If you look at the shops and roasters that are Mug inspired or Mug related, the list is long and growing longer. Gaslight in Chicago (Zak Rye and Miro Lomelli), Comet Coffee in Ann Arbor (Jim Sabrio), Anthology in Detroit (Josh Longsdorf), and the new Cultivate Coffee and Taphouse (Billy Kangas) to name a few. I think its due to the fact that the Mug has always had a great location and a really eccentric group of people that can come together to create and inspire something wonderful. It’s kinda funny, but, I think about the Mug in the same way that I think about my day job employer (Google) in that it’s really an incubator. You need to be surrounded by inspirational people and creative minds to do anything remarkable, and the Mug definitely serves as that for the local… hell, regional… coffee scene. I’m really excited to work with Eric and Dan on Hyperion because they were such a huge part of making that place unique and special over the last few years, and having that energy at Hyperion will be truly wonderful.

MARK: As I suspect that a lot of people in the audience don’t know about coffee roasting, can you explain what it is that you do… both the art and science aspects of it?

ERIC: Really, I think the part that needs to be explained here is that the physical act of roasting the coffee is only one piece of the puzzle, part of a long chain of crop-to-cup. First, there is the farmer, which is where the whole story really begins. We build relationships directly with farmers and importers to really get the best coffees. We view ourselves as storytellers for them, and we try to make something that is truly representative of what they grow. Second, there is the physical act of roasting, where we turn a crop into something delicious. I often describe it in the ways of baking bread by developing sugars and acids, by way of brewing beer and wine by means of heat, smell, taste, and chemical change. And, third, it’s all about the customers and education. At Hyperion, we’ve made it part of our mission to bring knowledge to the community and raise the caliber of coffee appreciation, so you’ll see a lot of coffee labs, guest speakers, and training sessions happening at the space. It’s a lot of responsibility and a lot of moving pieces, which is why it’s so difficult to get it right.

MARK: I’ve heard two stories and I’m hoping that you could tell me which one is right. I’ve heard that you’re not planning to operate a cafe in your new space, which is next to the Food Co-op. And I’ve heard that you are planning to operate a cafe. Can you tell me which is correct?

ALEX: Initially, we are not planning to operate a full-blown cafe in the space. Think of it more as a retail location. We’ll be roasting there, training there, and selling there, but we won’t be really making coffee to take away. Part of the short term reason why is due to the space itself – we’d need to make a number of big modifications to the place in order to operate an official cafe. That being said, our goal is to eventually have a take away espresso/pour over bar, because we will have much of that equipment already installed. And the community outreach has been huge – so many people have come up to us and asked “when is the cafe happening?”, so it has gotten us thinking about this option.

V__4617DAN: Longer term, sure, a cafe location is definitely in the cards. We’ve spoken with a number of people about this, and there’s been a bit of interest, but where and how this eventually manifests itself is kinda up in the air. Could be Ypsi, could be Ann Arbor, or even further afield (Detroit or Ferndale). [RIGHT: Their beautiful 10kilo Ambex roaster]

MARK: I’m curious as to how you capitalized the business. Did you have to raise money in order to purchase the equipment that you needed, fund your purchasing trips abroad, etc? And, if so, was that an arduous process?

ERIC: So far it has been all out of pocket by Dan, Alex, and me, as well as with the help of our amazing friends and family. Seriously, the amount of support that we have gotten from people has been something that I can’t really begin to get into here. We have actually received a lot of requests from people in the community about how they can help and how they can lend a hand. Right now, we are setting up a kickstarter to raise a few more bucks to accomplish some projects in the shop to get it up and running. Hopefully we will have it launched by the end of February, so stay tuned on that as well.

And as far as something being arduous, yeah there have been a lot of very late nights, lots of hours on phone calls, and many hours logged driving around the country to pick up equipment. So far, very worth it.

MARK: So, what should people expect from Hyperion Coffee?

ERIC: What expectations should the community have for Hyperion? Great question… I think that we really want to push the idea that we want to make connections and hope to bridge the language gap of good coffee to the consumer by way of education, working with farmers and importers to source good coffee with solid ethical grounds, and an active engagement in trying to make the coffee better in the Ann Arbor – Ypsilanti area. We hope to start that by continuing some established relationships with farmers in Honduras and coffee from Uganda as Dan is there now meeting with farmers.

[According to current projections, Hyperion should be open and brewing coffee at 306 North River Street at some point in March.]

Posted in Local Business, Locally Owned Business, Uncategorized, Ypsilanti | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | 13 Comments

Ann Arbor found to be much better than Ypsi at educating students in poverty?

Given that the Washtenaw International Baccalaureate High School in Ypsilanti recently finished second in statewide ACT rankings, beating out all of the awesome schools in Ann Arbor, I wasn’t really surprised to see today’s headline in the Ann Arbor News reaffirming their academic superiority. People need to feel awesome about themselves, and that’s OK. And it’s only natural for neighboring cities to define themselves against one another. With that said, though, I found the whole premise of this article to be incredibly silly.

Of course, Ann Arbor does better than Ypsilanti when it comes to educating poor students. They have substantially more money to spend per-student, given their status as what’s known as a “hold harmless” district. Presently, as I understand it, they supplement their funding to the tune of an additional $2,000 per pupil more than any other school system in the entire County. And that extra $2,000 per student goes a long way toward being able to pay higher teacher and staff salaries, improve facilities, buy textbooks and school supplies, etc. Judging from this headline, though, it just sounds as though Ypsi is failing poor kids because our teachers aren’t working hard enough, and that’s simply not the case.

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From MLive:

Ann Arbor Public Schools and Ypsilanti Community Schools may be neighbors, but the side-by-side districts generate different results among students who come from homes in poverty.

Ann Arbor Public does significantly better than Ypsilanti Community Schools when it comes to educating poor students, according to a new report…

For what it’s worth, they do finally get around to mentioning the huge discrepancy in funds made available for the education of students in the two districts, but it doesn’t happen until the 15th paragraph. I doubt, however, most people made it that far.

I should add that I know there’s more to it than just the amount of money spent. I suspect, for instance, that a good number of the students qualifying for free lunches in Ann Arbor are likely the kids of University of Michigan graduate students and the like, whose families are pushing them to excel academically. Furthermore, I know it’s probably a lot easier to raise the test scores of kid in poverty if he or she isn’t in a classroom where a majority of their peers are also coming to school hungry, from chaotic households.

But, yes, I think it’s great that Ann Arbor is so much better than we are in Ypsilanti at educating those in poverty, and I hope this realization brings with it an acceptance of the fact that we need to do a better job of working across districts for the good of these kids, and our community… If Ann Arbor’s awesome at educating the poor, and we’ve got a lot of poor people, I’d say that’s a match made in heaven… Let’s talk merger.

Posted in Ann Arbor, Education, Uncategorized, Ypsilanti | Tagged , , , , , , | 53 Comments

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