Here we go again… the Swiftboating of Obama has begun

A few nights ago, I told you about a family member of mine who had shared a purposefully misleading political graphic on Facebook, and how I responded. The piece, which incorrectly attributed $5 billion of the nation’s debt to the “Democratic majority,” was produced by an organization called Right Change, a fake grassroots entity bankrolled by the multi-millionaire Fred Eshelman. Well, today, I find myself responding to yet another relative. This time, the item in question, sent to me by way of email, is a video, produced by an organization called the Special Operations Political Committee (OPSEC). Ostensibly it’s an educational entity run by former members of America’s special forces who are concerned about Obama’s leadership on national security, but it’s difficult to say who is actually calling the shots, as groups like this presently don’t have to disclose their funding sources. (You’ll recall that the DISCLOSE Act, which would have made such information public, failed to pass a few weeks ago.)

The video is an excruciating 22 minutes long, but I’d encourage you to watch it. There are lots of shots of people, who we’re told are Navy SEALS, sitting in the shadows, and talking with electronically distorted voices about how they won’t feel safe until Obama is out of the White House. According to them, you see, Obama can’t be trusted to keep sensitive information private, and this could jeopardize critical operations, and cost them their lives. (They also, apparently, don’t like that Obama took credit for the fact that they killed Osama bin Laden.) And, if you’re the kind of person who has difficulty following narratives, there’s also some great, grainy, black and white footage of Obama turning his back on the American flag and walking away from it, which they show in slow motion. Here’s the video, followed by my letter to the family member who sent it to me, along with a note about how the mainstream liberal media was probably conspiring to suppress it.

I’m not surprised that you wouldn’t have seen it in the traditional media, because it was just released this morning. And, for what it’s worth, I’ve already seen it mentioned in a Reuters article, and on the Huffington Post. So, it is getting out there, just like the Swiftboat attacks on John Kerry got out there… in spite of the “liberal media conspiracy”. It seems pretty pathetic to me, but I guess the Romney campaign has to come after Obama on national security if they want to win. And, given that we finally killed Osama bin Laden under Obama’s administration, that’s not going to be an easy thing to do. So, they’ll say that Obama took credit for killing Osama when the credit belonged to SEAL Team 6, and that he’s putting people’s lives on the line, and that he doesn’t appreciate the value of our operatives oversees. I can understand why Romney’s people would try to pull this nonsense, as they have to find a way to turn one of his biggest positives (the fact that we got Osama bin Laden while he was Commander In Chief, after Bush had neglected to do so for over seven years) and turn it into a negative, but I would have thought that you’d know better than to accept it at face value.

And, I don’t mean to be confrontational when I say this, but I do find it odd that you’d send me this video, which is full of outrage over Obama taking too much credit for the killing of Osama bin Laden, when, I believe, you didn’t say a single word that time Bush landed on the deck of an aircraft carrier in a fighter jet, climbed out in a combat pilot’s jumpsuit, complete with codpiece, under a sign announcing “Mission Accomplished,” and told us all how he’d ended the war in Iraq. (That war, by the way, wasn’t over. It wouldn’t end until Obama came into office, several years later.) How is Obama informing the nation on television that we got bin Laden, even remotely as bad as having our President dress up like he’s just returned from a successful combat mission, and strut across the deck of a warship to anxiously awaiting television cameras? Watch the two scenes side by side, and tell me who’s more guilty of grandstanding.

One more thing… If you want to blame someone for not understanding and appreciating the importance of national security, again, I’d suggest that you look to Bush, who was handed a briefing document entitled “Bin Laden determined to strike within US,” 36 days prior to the 9/11 attacks on our country, and, by all accounts, chose not to act on it. If people in the intelligence field want to be upset with a President who doesn’t value the work of our assets oversees, I’d start there.

And, for all the talk of how Obama’s politically motivated “leaks” are hypothetically jeopardizing the lives of our men and women oversees, let’s not forget that foreign agents most likely really did die when Cheney, through his staff, outed Valerie Plame as a CIA operative, in hopes of discrediting her husband, who, as you may recall, was the first government official to say that our justification for war in Iraq was bogus.

So, in short, yes, I agree with you that it’s terrible when politicians grandstand, misuse intelligence, and endanger the lives of our courageous men and women serving oversees. I just think that trying to pin any of that on Obama, is ridiculous. And, it stinks of desperation. But, it worked for Bush in the race against Kerry, and I can see why Karl Rove and others think that it makes sense to try it again.

And, here, if you didn’t watch the 22-minute video above, is a 1-minute version from the same “Dishonorable Disclosure” campaign.

And this may not be the end of such attacks against the President. It looks as though retired Navy SEAL Commander Ryan Zinke, has also launched a SEALS against the President group. His is called Special Operations for America. So, if you’re a billionaire, and you want to hire former members of the special forces to say that the President is unfit for service, you now have at least two options… Capitalism at work!

Posted in Media, Observations, Politics | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | 22 Comments

Trabajabamos to join 25 Suaves and Minus9 at the upcoming MarkMaynard.com anniversary party

I’m happy to announce that Trabajabamos will be performing along with 25 Suaves and Minus9 at the September 8 party commemorating the tenth anniversary of this website. Here, if you’ve never had the pleasure of experiencing Trabajabamos, is bit of documentary footage, which, I think you’ll agree, is pretty damn good.

If you want more, Trabajabamos recently appeared on WCBN’s local music show, and you can listen to an archived recording of the session here.

It’s shaping up to be a hell of a show music-wise, but I’m still trying to figure out what, if anything, we should be doing before, between and after the bands go on stage, to celebrate the site’s 10th anniversary. I just spent the last few minutes reading about how the Ann Arbor Chronicle celebrated their 4th anniversary on the web a few days ago, hoping to get some ideas, but I’m not sure if what worked for them will work for us. They, it would seem, had something like a banquet, during which they handed out awards to members of the community who they felt deserved recognition. I think it’s a good idea, but I seriously doubt that people would come out to receive an award from me. And, to be honest, I don’t know who I’d want to saddle with the distinction of having been awarded a Maynard, or whatever we’d call the damn thing… Let’s say were were to do something like this, who would you choose as the recipient of a “Most Epic Comment” award? I’m just curious.

The more immediate problem, I think, is that I’m not sure what to call the event itself, as it’s both a 10-year anniversary party for this site, and a fundraiser for Fly Children’s Art Center. As people are starting to refer to it as Maynardfest, I feel the need to hurry and put something out now, before the name sticks. The best I’ve been able to come up with so far is “The Blog Presents,” which is a reference to the time, several years ago, that the Ypsi cops busted up Totally Awesome Fest, telling folks that they’d read all about it, “on the blog.” As terrible as it made me feel, knowing that I played a part in ruining the weekend for everyone, I kind of liked that, at least in the eyes of these cops, this was “the” blog, as though none others existed… Anyway, if you have a better idea as to what it should be called, let me know.

As for what I should be doing at this event, the best idea I’ve come up with so far involves me sitting inside of a small glass cube, in my pajamas, blogging. The cube, as I’m envisioning it, would be on the corner of the stage, and every now and then people in the bands would jump up on it, to play their blistering guitar solos. And, between bands, readers of the site could try to clog my air holes with french fries.

And I know none of the trolls out there in the audience, like EOS, Designated Republican or Tater Salad, will believe me when I say this, but I’d very much like to take a few minutes and talk with one of them on stage, and find out more about them, as human beings. I’d love a chance to get beyond the rage, and ask a few questions about how they came to take such an interest in our little online community.

Oh, one more thing. At the Chronicle’s 4th anniversary party, the folks at Zingerman’s apparently served a drink they’d concocted especially for the occasion, called the Ink-Stained Wretch. Perhaps we should have a little contest leading up to the party, to design a drink that reflects the shared values, vices and obsessions of the community that gathers here. (As some of you may recall, we did something similar 8 years ago, with a fair amount of success.) If you have ideas, let me know.

Posted in Art and Culture, Site Admin, Special Projects, Ypsilanti | Tagged , , , , , , , , , | 30 Comments

Ypsi/Arbor Exit Interviews: Adrianne Finelli

After living among us for the past half dozens years, Adrianne Finelli will be leaving shortly for Pennsylvania. I took the opportunity to ask her a few questions.

MARK: Where will you be moving to and what will you be doing there?

ADRIANNE: I’m moving back to Pennsylvania, not back to Philly, but the other side of the state, in Erie, to teach Cinema in the Art Department at Edinboro University. I’m really sad to leave Michigan, and not super psyched to be going where I’m going, but I really need the full-time experience and my appointment at the University of Michigan hasn’t been very secure.

MARK: What were you doing at U-M?

ADRIANNE: I was lecturing in the School of Art & Design, and doing some work with the Prison Creative Arts Project (PCAP).

MARK: Other than the fact that the job wasn’t terribly secure, what did you think of the work that you were doing at U-M? Was it fulfilling?

ADRIANNE: I love teaching and I love talking with creative people. Politics and policies aside, I really enjoyed what I was doing at U-M and gained so much from my experiences there. I’ve mainly been teaching time-based media courses, but was also given the opportunity to teach an advanced studio course that I created called Home, that explored the psychological, political and cultural meanings of home. It was while designing and teaching that class that I realized just how much I loved curating readings and screenings, and helping people make new connections and make new work. I fully enjoyed my work with PCAP, as well. It’s an irreplaceable program that benefits so many people, and the staff and volunteers are some of my favorite people around. I will never forget the selection visits that I went on, going into the prisons and talking with the artists about their artwork. It’s very moving work, it’s vital, and I hope to stay connected with them — I already promised to come back in March to help layout and install the PCAP 18th Annual Art Exhibition by Michigan Prisoners, if I’m not buried under 5 feet of snow.

MARK: I haven’t heard the phrase “time-based media” before. Is that what we’re calling film and video now? Is it broader than that? Does it encompass audio, interactive web design, etc? It doesn’t have anything to do with your exit interview, but I’m curious…

ADRIANNE: Essentially, yes. I’ve noticed that more art schools are using this terminology to allow room for sound, performance, installation, and other mediums that have duration. Film and video is still the language of many film and cinema programs, though, and I really don’t think those words will dissolve into “time-based media” at any point. It’s why I was hired at Edinboro, though, so I guess it’s totally relevant. I was brought in exactly for this reason, to teach film and video production to art students — teaching specific technical skills and tying them to broader concepts of composition, line, color, rhythm, etc.

MARK: You say “moving back” to PA. I didn’t know you were from there. Is that where you were born, grew up, etc?

ADRIANNE: I was born and raised in Bethlehem, Pennsylvania, a really historic place and an old steel town in the Lehigh Valley, its become rather depressed since Bethlehem Steel closed in 1990, but it was and still is a great place to grow up. I loved being so close to NYC, Philadelphia, and the ocean. After I left Bethlehem, I moved to Philly and lived there for six years before moving to Ann Arbor to pursue my MFA in 2006.

MARK: Was your family in the steel industry? Is that what brought them to Bethlehem?

ADRIANNE: Neither side located there for the steel, but two of my uncles worked for Bethlehem Steel at one point. My Dad’s father was born in Roseto, Italy and moved to Roseto, Pennsylvania with his family when he was young. My great grandfather worked in the slate quarries in Pennsylvania until he was nearly killed on the job. After his recovery, he opened a successful Italian Grocery and ran an urban farm before there were “urban farms.” My Mom’s father came from farmers that lived for many generations in the area. Eventually the family ended up selling nearly all of their land. Unfortunately that land has since been developed into horrible places.

MARK: So, you did your undergraduate work in Philly?

ADRIANNE: Yep, I went to film school at Temple University in North Philly, and focused on documentary studies and production. Temple was one of the best decisions I’ve ever made, the program itself was great, but the irreplaceable benefits of the environment is what really shaped me there. It was so exciting for me to leave Bethlehem, I was ready to get to a bigger city and explore, and this urban inner city public school was the perfect place. I met such a diverse group of people while I was there, and whenever I’m back on the east coast I make a point to drop by campus and say hello to the Library and the Urban Archives and the people I still know there.

MARK: Actually, it just occurred to me that I don’t know where you live. Would I be right to assume you live in Ann Arbor?

ADRIANNE: That makes me happy to hear. I’ve always tried to attend events and support places in Ypsi and Detroit a lot, but have lived in Ann Arbor for six years. Mainly, because I like walking to work, I thought about moving to Ypsi and Detroit many times, and if I was staying in the area and wanting to buy a home, I would definitely be leaving Ann Arbor for Ypsi/Detroit.

MARK: When did you start making films? Can you tell us about your first film project?

ADRIANNE: Wow, that’s tricky. I’ve been watching old home movies of my family recently for an upcoming project that I’m working on, and my Dad was the main cameraman, but there are several moments that I’m captured saying, “Daddy, Daddy, let me take pictures!” and I take over. I guess I was probably five or six, and it was a Sony Hi8 Handycam with a battery bigger than my head. I would call those my
very first films, but they were more like the Lumière brothers’ short studies, fleeting moments of everyday life. I guess my work hasn’t changed too much, I’m still interested in ordinary people and places, I collect and study home movies, and I make films about family and memory. The first film I made that wasn’t edited in-camera, was a documentary called Arts Jam, I made it my sophomore year of high school, and it was showcased at a local arts & music festival. I don’t really remember that one, I’m sure it had heart, but I’m sure it was pretty horrible. I think there’s a copy in my parent’s basement.

MARK: When not working at your day jobs, have you been working on projects while you’ve been in Michigan? Was this a productive place for you?

ADRIANNE: Hugely. I think everyone that has the desire to make stuff, but can’t afford to only be creating whatever their invention is—people like me that need a day job or two — we’re constantly beating ourselves up over not creating enough. If I’m honest with what I had to deal with in my life while I was here, I think I’ve found the time and space to make a lot of really meaningful creative work, and I’ve curated a few shows in the meantime too. Although, I think my true creative mojo is just resurfacing right now, I had the hardest years of my life here in Michigan, and at times that affected my creative energy. So, I’m heading off for this place where I don’t know a soul and I could rent a giant space for the cost of my studio apartment in Ann Arbor. That’s how I’m going to get myself through this transition, treating it like an artists residency and ravenously be making new work.

MARK: You mention having curated shows. Can you tell us about one that you’re particularly proud of?

ADRIANNE: This December, Dan F. Friedlaender and I co-curated a show called “Perspective on Pain” in Detroit at the U-M Work•Detroit gallery on Woodward. The show asked three extremely challenging questions: “How do we begin to talk about pain, to share and explore it? How does one describe and depict their own pain or the pains of others? Can we find useful ways of expressing it?” It ran for a month, and we had a performance/screening event, as an extension of the show and its themes, as part of the opening night reception. It was a really important show for me on many levels and we had a wonderful, engaging turn out. I asked my dance teachers Shirley Axon and Nancy Heers to start off the performance with a dance that I loosely choreographed, called “The Dance of My Grandmothers,” which is about the suicides of both my paternal grandmother and my maternal grandmother. That was definitely the most moving part of the evening for me personally. Dan and I got an overwhelming response to our call for work, with over 160 submissions, and only room for 30 artists. We were shocked, and wanted to include so much more work than we had space for. Overall, we got a great response to the show. Curating is a ton of work, but I totally love bringing art and people together — I think I’ll try to curate a show every other year.

MARK: What are the five things you will miss the most about Michigan?

ADRIANNE: More than anything else, I will miss the people. I’ve met so many smart, creative, and caring people in the Ann Arbor/Ypsi/Detroit area, it’s a hard place to move from. I recently told a friend that this time and place in my life might be the pinnacle of finding a sense of community with so many kindred spirits.

I will miss the Shadow Art Fair and the Ann Arbor Film Festival, and so many of the awesome annual events that would map out my years here.

I will miss so many of my favorite places to eat, drink, and be merry.

I will miss the seasons – especially the fall – here. Apple cider and donuts? Who knew!?

And I will miss walking through the Arb everyday.

But, I’m not going too far, so I don’t have to miss things too much. Plus, I’m coming back to MI at the end of September to throw myself a “Hello, again. I’m 30.” party. I couldn’t stand the idea of having a farewell party.

MARK: What will you be doing in your new position? Will you have the ability/budget to curate screenings, hold film competitions, and do anything in addition to just teaching classes?

ADRIANNE: I will be teaching 4D design and time-based media classes to art students in all media. It’s much like the “Time” course that I’ve been teaching at U-M. I’m excited to see what these working and middle-class young adults have to say. (Most of the Edinboro students will definitely be coming from more humble backgrounds.) I’m hoping to get some screenings together in the spring, and I’m taking a break from curating this academic year to focus on making and writing, but I’ll definitely be scheming ideas for 2013-2014.

MARK: Any parting thoughts on the local film scene, and what, if anything, could make it better?

ADRIANNE: More screenings in more spaces with more people. I think supporting the events/shows is so important to a healthy, functioning scene; so, get out there and check things out. I’ve been on the Ann Arbor Film Festival Selection Committee for a couple years, and I know that some of our events/screenings get really sad turnouts. It always surprises me not to see more people out at screenings/events. I know that there are so many curious people here. I also think people should cooperate and collaborate on more projects. it’s the only way to get things started and done and out there. Forming an equipment co-op would benefit a lot of emerging and diverse voices in this rich community. Time-share is also a wonderful thing for larger productions. Exchanging time on each other’s projects is rewarding, and it also creates a really strong network. More sharing and more caring — two things that would improve most everything!

Posted in Ann Arbor, Art and Culture, Special Projects | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | 8 Comments

Responding to the conservative nonsense of family members on Facebook

A close family member of mine liked the following graphic on Facebook, and, now, as a result, the rest of my night is going to be spent debunking or otherwise providing context for these “facts” as put forward by an organization called RightChange. [According to their website, RightChange, the organization responsible for this graphic, “has grown into a national movement with over 642,000 supporters.” Sounds like a pretty solid grassroots organization, right? Well, I still haven’t found recent data, but, in 2008, $2.7 million of their $3.8 million budget was provided by one man – Fred Eshelman, the CEO of a large pharmaceutical research firm by the name of Pharmaceutical Product Development. What’s more, the organization has a history of telling untruths. Oh, and if you’re wondering what Eshelman may have against the federal government, here’s some footage of him testifying before a House Subcommittee concerning the fraudulent clinical trials of a drug on which his company worked.]

So, here are my rough thoughts on what I’d like to share with this relative of mine. If I’ve left anything pertinent out, please let me know.

One… According to the Bureau of Labor Statistics, the current unemployment rate is 8.3%. What this doesn’t say, however, is that the unemployment rate has been dropping somewhat steadily since October 2009, when it was 10%. As others have noted, Obama’s stimulus programs didn’t impact unemployment to the degree that we were told that they would, but, given the fact that he had inherited an imploding housing market and a financial crisis the likes of which we hadn’t seen since the Great Depression, I think it’s remarkable that we seem to be moving in the right direction, albeit slowly. What’s more, it’s probably worth noting that Romney isn’t offering much when it comes to ideas as to how we stimulate job creation, and reverse this trend.

Two… The “one in three Americans is on welfare” claim seems high, and I can’t find any justification for it online, but I’ll acknowledge that we have a lot of people in this country who require assistance. Not quite two years ago, USA Today ran an article on the growing number of people seeking government aid. Among their findings were the following: the number of Americans on food stamps had doubled since the beginning of the recession in December 2007, and, over that same period, 17% more people enrolled in Medicaid. (And these numbers have clearly grown over the past two years.) There’s no doubt that more people are availing themselves of government anti-poverty programs. It’s also worth noting, however, that these numbers were trending upward since the Clinton administration. In fact, according to CNN, average participation in the food stamp program increased by 63% during Bush’s eight years in office. And, again, I’d like to know what Romney would do differently. Would he stop the food stamp program? My sense is that providing people with limited access to food is more cost effective than dealing with the problems that would arise in a nation full of starving people, but I guess we’ll have to wait and see. And, lest anyone think these folks are currently living high on the hog, the average food stamp recipient, as of March 2012, is receiving approximately $133.14 per month in assistance. [note: 46.4 million Americans currently receive food stamps.]

Three… Yes, the debt is growing, but, believe it or not, Obama has increased government spending less than any President since Eisenhower. And the following graphic is from Forbes, by the way, and not some commie blog, like this one… Oh, and if you want to assign blame, here’s something from the Washington Post. “George W. Bush’s major policies increased the debt by more than $5 trillion during his presidency. Obama has increased the debt by less than $1 trillion.” (If you follow that link, there’s a graphic that lays it all out very clearly.)

Four… It’s true that there’s no budget, but that’s not because the President hasn’t submitted one. He has. His budget just hasn’t been accepted by Congress.

Five… The RightChange.com graphic says “Democratic Majority” across the top, implying that the following failures are their fault. The only problem is, there isn’t a Democratic majority. Anyone who observes politics, even casually, knows that this isn’t a period in American history in which one party has had free rein to impose its agenda. If anything, our current era will be remembered as one of unprecedented obstructionism, during which the House, controlled by a Republican majority, did everything in its power not to give the Obama administration what could be perceived as legislative “victories,” even if the bills in question were good for the American people, and were first proposed by Republicans.

Six… This family member of mine who is apparently so outraged by the number of people receiving federal aid, happens to be on Medicaid.

I could go on, but I’m tired. My main point is, these are complicated issues, and deserve more attention than Mr. Eshelman, and the “grassroots” organization which owns, are willing to give them. And I don’t say this as a fan of the President, who thinks that he can do no wrong. Clearly, he deserves much of the blame for where we are today. I just think it’s disingenuous to suggest that these things were the work of a “Democratic Majority” on an America-hating rampage. The truth is, the economic collapse was a long time coming, and it likely had much more to do with financial deregulation, and anti-labor legislation passed years ago than it did with Barack Obama. Sadly, though, Eshelman and company aren’t interested in getting at the truth. They’re just interested in getting a slightly more business-friendly man in office, and they’re willing to twist the facts, and cherry pick their statistics in order to see that accomplished.

Posted in Politics, Uncategorized | Tagged , , , , , , , , , , , | 23 Comments

The Corner Brewery’s Matt Greff says going green is a good investment

Ypsi’s Corner Brewery recently underwent a number of significant renovations, which, among other things, have made it the craft brewery with the largest solar installation this side of Colorado. To commemorate this fact, there will be an official ribbon cutting ceremony on August 29th, at 5:00 PM. The event is open to the public, and, according to Brewery owner Matt Greff, there will be ample opportunities for folks to see the solar installation, the new geothermal system, and everything else, first-hand… For those of you who are curious as to the extent of the project, according to the June 7 Arbor Brewing Company press release, “the system has a total system rating of 18 kW electric, and 64.8 kW thermal, and is expected to provide almost all of Corner Brewery’s hot water needs and up to 15% of its electricity.”

And, for those of you who aren’t in the habit of watching Fox, here’s a little story their Detroit affiliate broadcast a few days ago.

Fox 2 News Headlines

In this report, they mention that the cost of the project was nearly $350,000, and that the estimated cost savings would be approximately $20,000 a year. They also say, however, that the project will likely pay for iteself in 7 years. As I didn’t understand the math, I asked Matt Greff to explain it to me. Here’s what he had to say.

There are a lot of incentives out there that drastically reduce the original $350,000 number. The federal tax grant alone is going to reimburse us upwards of $80,000. The nice thing about having Jarett’s Diamond’s group, from U-M’s School of Natural Resources, do such an extensive study for us was that they came up with all of the ways we could get incentives (DTE, federal government, etc), and then they ran the numbers to determine our payback. And, not only do we think that we’ll save $20,000 a year on what we’re currently spending, but we also won’t have any heating/cooling expenses for our newly constructed 2,000 square foot warehouse because, of the geothermal technology that we’ve installed, so you could add another $2,000 per month in savings in what we would have been paying if we had used a traditional rooftop hvac unit for that space. All of our modeling suggests a 7 to 10 year payback….

When asked if there was anything else he’d like for people to know about this project, Matt said the following.

The only other thing I would add is that the various City departments we had to work with were great to work with. The Historic District Commission, the Planning Department (once we got through the initial craziness with them and their demands), the Building Department, etc. They were really great. nd we want other businesses in the community to know that doing something like this isn’t just a “feel good and do something for the environment” scenario, it actually makes great business and financial sense since the price of energy isn’t going to be coming down ever again and this gives you some long-term forecasting control over your expenses.

Posted in Local Business, Locally Owned Business, Uncategorized, Ypsilanti | Tagged , , , , , , , , , | 11 Comments

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