Tag Archives: clip art

The Untold History of Zines… Alex Hubbard and Dan M on “The Removal Technician”

By Mark | February 29, 2020

About a year or so ago, when I was done interviewing Sean Tejaratchi, the man behind Crap Hound, for my History of Zines project, I asked him who else I should be talking with from Portland’s golden age of self-publishing, and he suggested that I try to track down Dan M. and Alex Hubbard, who […]

Posted in Art and Culture, History, Mark's Life, Uncategorized | Also tagged Alex Hubbard, Alvadore, anthropology, bellboy, big death, Bill Brisko, brushes with death, Chloe Eudaly, cot, coworkers, Crap Hound, dead bodies, Death, donuts, Drawbridge Inn, Ford Galaxy, funeral home, funeral homes, Glenn Dixon, hearse, History of Zines, Joe Snell, Kalon Cream, Kinko's, Lewis & Clark College, Loewen, magnets, minivan, mortuary science, photocopying, Portland, Reading Frenzy, Sean Tejaratchi, Six Feet Under, the death industry, The Removal Technician, The Untold History of Zines, theft, zines | 7 Comments

The Untold History of Zines… Sean Tejaratchi on Crap Hound

By Mark | March 17, 2019

When I first started my “History of Zines” oral history project back in 2013, one of the first people I reached out to was Sean Tejaratchi, the man behind the incredibly ambitious clip art zine Crap Hound. [As someone with OCD, the obsessiveness of Crap Hound really resonated with me, and I wanted to find […]

Posted in History, Mark's Life, Special Projects, Uncategorized | Also tagged 1970, A is For, A Sordid Evening of Sonic Sorrows, abortion, action figures, Adam Parfrey, Adidas, aggressive massage, Amok, amusement parks, animal erections, Answer Me, Anton LaVey, Apple Cabin, Bertrand Falstaff Heine, birds with human penises, book design, bubbles, calendars, Cane toad, Captain Matthew Webb, change, Charlie McCarthy, Chloe Eudaly, Chris Thile, coffee, consignment, consistency, Crap Hound, Dan Howland, Danzine, Death Scenes, Debbie Goad, Dishwasher Pete, DIY, Doc Johnson, dongs, ear trumpet, erections, Eugene, Evel Knievel, evolution, fake band posters, feral child, Feral House, Geek Love, Genie the feral child, graphic design, Gregg Turkington, He-Man, Heinous, identity politics, Independent Publishers Resource Center, IPRC, Jim Goad, John Coffin, Journal of Ride Theory, Katherine Dunn, Kathy Molloy, Kinko's, Lake Wobegon, Larry Crane, LiarTown, Live from Here, living in the past, Los Angeles, maggots, Martha Plimpton, Masters of the Universe, Mattel, Me and You and Everyone We Know, Michael McKean, Mike King, Miranda July, navel gazing, Nick Bougas, Oregon, oversharing, PDXS, penises, pigeon, poop exchange, Portland, Portland City Council, Portland Mercury, Powell’s Books, Prairie Home Companion, privacy, Reading Frenzy, Rebecca Gilbert, romanticizing the past, Satan Takes a Holiday, sculpture, Sean Tejaratchi, Skeletor, Smurfs, Snake Mountain, Snipehunt, Social Justice Kittens, Stanton Greer, Stella Marrs, Steve Mandich, surf monkey, Tape Op, The Crap Hound Big Book of Unhappiness, The Devil’s Notebook, The Untold History of Zines, the Voight-Kampff test, Toad Licker, toad licking, toys, transitions, Watts Riots, Weekly World News, Westworld, Willamette Week, WOW Hall, zine library, zines | 24 Comments

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